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In the guise of chronicling the final moments of three polar explorers marooned on an ice floe a century ago, Baron's film investigates the limitations of images and other forms of record as a means of knowing the past and the paradoxical interplay of film time, historical time, real time and the fixed moment of the photograph.--New York Film Festival, 1997, "Views from the Avant-Garde" program notes
http://www.vdb.org/smackn.acgi$misc?clips/IDEAOFNORT.mov
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Hm...
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