<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-2762149435600707904</id><updated>2011-11-27T16:19:35.366-08:00</updated><category term='Fernand Léger'/><category term='Joseph Cornell'/><category term='Jack Chambers.'/><category term='G.B. Jones'/><category term='Naomi Uman'/><category term='Lloyd Kaufman'/><category term='Jack Smith'/><category term='Šarūnas Bartas'/><category term='Tony Conrad'/><category term='Ron Rice'/><category term='Richard Kern'/><category term='Vincent Gallo'/><category term='Johnny Terris'/><category term='Jeff Perkins'/><category term='Romy Schneider'/><category term='Bruce Baillie'/><category term='Peggy Ahwesh'/><category term='Teinosuke Kinugasa'/><category term='Jonas Mekas'/><category term='Mike Kuchar'/><category term='Takahiko Iimura'/><category term='Joe dallesandro'/><category term='Aryan Kaganof'/><category term='Steve McQueen'/><category term='Paul Morrissey'/><category term='Chantal Akerman'/><category term='Jon Moritsugu'/><category term='Matthew Suib'/><category term='Peter Sempel'/><category term='Roland Lethem'/><category term='Maya Deren'/><category term='Ken Jacobs'/><category term='Godard'/><category term='Shuji Terayama'/><category term='Isaac Julien'/><category term='Viking Eggeling'/><category term='Georges Franju'/><category term='Kōji Wakamatsu'/><category term='Marcel Duchamp'/><category term='Len Lye'/><category term='Santiago Álvarez'/><category term='Shirley Clarke'/><category term='Martin Arnold'/><category term='Sarah Jacobson'/><category term='Derek Jarman'/><category term='Bruce Nauman'/><category term='Arthur Lipsett'/><category term='Marguerite Duras'/><category term='Robert Banks'/><category term='Shana Moulton'/><category term='Isidore Isou'/><category term='Rebecca Baron'/><category term='Bruce LaBruce'/><category term='Sophie Calle'/><category term='Douglas Gordon'/><category term='Pere Portabella'/><category term='Willard Maas'/><category term='Wu Ingrid Tsang'/><category term='Bruce Conner'/><category term='David Wojnarowicz'/><category term='Kenneth Anger'/><category term='Philip Botti'/><category term='Yoshishige Yoshida'/><category term='Dario Argento'/><category term='Todd Verow'/><category term='Lydia Lunch'/><category term='Marie Menken'/><category term='Ernie Gehr'/><category term='Bill Morrison'/><category term='Werner Nekes'/><category term='Sidney Peterson'/><category term='Usama Alshaibi'/><category term='Ian Kerkhof'/><category term='Matthew Barney'/><category term='James Benning'/><category term='the Kuchar Brothers'/><category term='Jean Cocteau'/><category term='Pipilotti Rist'/><category term='Julie Delpy'/><category term='Johan Grimonprez'/><category term='Patrick Bokanowski'/><category term='Kenneth MacPherson'/><category term='Alain Cavalier'/><category term='Jackie Raynal'/><category term='Stan Brakhage'/><category term='Michael Snow'/><category term='Hollis Frampton'/><category term='H.G. Clouzot'/><category term='Carl Theodor Dreyer'/><category term='Harmony Korine'/><category term='Everynone'/><category term='Russ Forster'/><category term='Thierry Zéno'/><category term='Helen Levitt'/><category term='Lewis Klahr'/><category term='Virginie Marchand'/><category term='Melvin Van Peebles'/><category term='Vito Acconci'/><category term='Chris Marker'/><category term='Kurt Kren'/><category term='Andy Warhol'/><category term='Julia Ostertag'/><category term='Dziga Vertov'/><category term='Claude Pérès'/><category term='Yang Zhenzhong'/><category term='Hans Richter'/><title type='text'>before cinema</title><subtitle type='html'>an athology of modern and experimental films</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default?start-index=101&amp;max-results=100'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>109</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-6909334134781246329</id><published>2011-09-24T19:31:00.000-07:00</published><updated>2011-09-24T19:31:00.722-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Usama Alshaibi'/><title type='text'>My Mother Paused By My Father/Usama Alshaibi</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh6.googleusercontent.com/-_R_4JnddOTQ/TYgK17pKWbI/AAAAAAAAAHE/BY6aKgBA3Yc/s1600/Image+10.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="215" src="https://lh6.googleusercontent.com/-_R_4JnddOTQ/TYgK17pKWbI/AAAAAAAAAHE/BY6aKgBA3Yc/s320/Image+10.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;WIKI: "Usama Alshaibi (Arabic: أسامة الشيبي‎) (born in Baghdad, Iraq on November 20, 1969) is an Iraqi-American independent filmmaker and visual artist..."&lt;/div&gt;&lt;br /&gt;&lt;iframe frameborder="0" height="260" src="http://player.vimeo.com/video/3402448" width="380"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;a href="http://vimeo.com/3402448"&gt;My Mother Paused By My Father&lt;/a&gt; from &lt;a href="http://vimeo.com/dancehabibi"&gt;Usama Alshaibi&lt;/a&gt; on &lt;a href="http://vimeo.com/"&gt;Vimeo&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-6909334134781246329?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/6909334134781246329/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=6909334134781246329&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6909334134781246329'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6909334134781246329'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/09/my-mother-paused-by-my-fatherusama.html' title='My Mother Paused By My Father/Usama Alshaibi'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh6.googleusercontent.com/-_R_4JnddOTQ/TYgK17pKWbI/AAAAAAAAAHE/BY6aKgBA3Yc/s72-c/Image+10.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-3141875112225567632</id><published>2011-09-17T19:21:00.000-07:00</published><updated>2011-09-17T19:21:00.485-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Robert Banks'/><title type='text'>MPG: Motion Picture Genocide/Robert Banks</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh5.googleusercontent.com/-EK8zokHA2zU/TYgIWusyupI/AAAAAAAAAHA/UMRiUE5Zcdk/s1600/0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="https://lh5.googleusercontent.com/-EK8zokHA2zU/TYgIWusyupI/AAAAAAAAAHA/UMRiUE5Zcdk/s320/0.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/MPG:_Motion_Picture_Genocide"&gt;WIKI&lt;/a&gt;: "MPG: Motion Picture Genocide is a 1997 film (revised 2002) by Robert Banks. It is an examination of 100 years of African Americans being murdered in movies..."&lt;/div&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="220" src="http://www.youtube.com/embed/DGfqQ3DjHI8" title="YouTube video player" width="360"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-3141875112225567632?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/3141875112225567632/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=3141875112225567632&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3141875112225567632'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3141875112225567632'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/09/mpg-motion-picture-genociderobert-banks.html' title='MPG: Motion Picture Genocide/Robert Banks'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh5.googleusercontent.com/-EK8zokHA2zU/TYgIWusyupI/AAAAAAAAAHA/UMRiUE5Zcdk/s72-c/0.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-3242217665572996565</id><published>2011-09-10T13:08:00.000-07:00</published><updated>2011-09-10T13:08:00.144-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Everynone'/><title type='text'>Re:WORDS/Everynone</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-e79z_YWa614/TZDrfn41f6I/AAAAAAAAAHU/s9t8DC9LcgM/s1600/Image%2B8.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="225" src="http://2.bp.blogspot.com/-e79z_YWa614/TZDrfn41f6I/AAAAAAAAAHU/s9t8DC9LcgM/s400/Image%2B8.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Everynone is a production company located in New York &amp;amp; Los Angeles, founded by Will Hoffman, Daniel Mercadante, Julius Metoyer III.&lt;br /&gt;&lt;br /&gt;About "Re:WORDS": "We decided to reword our film "WORDS" using exclusively clips from YouTube." (&lt;a href="http://www.everynone.com/"&gt;view more&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe frameborder="0" height="185" src="http://player.vimeo.com/video/16404722" width="300"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;a href="http://vimeo.com/16404722"&gt;Re:WORDS&lt;/a&gt; from &lt;a href="http://vimeo.com/everynone"&gt;Everynone&lt;/a&gt; on &lt;a href="http://vimeo.com/"&gt;Vimeo&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-3242217665572996565?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/3242217665572996565/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=3242217665572996565&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3242217665572996565'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3242217665572996565'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/09/rewordseverynone.html' title='Re:WORDS/Everynone'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-e79z_YWa614/TZDrfn41f6I/AAAAAAAAAHU/s9t8DC9LcgM/s72-c/Image%2B8.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-1348155263276018738</id><published>2011-09-02T18:36:00.000-07:00</published><updated>2011-09-02T18:36:00.720-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jeff Perkins'/><title type='text'>Shout/Jeff Perkins</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-pTf795_5hSA/TY_mnKLuTMI/AAAAAAAAAHQ/A1h55PVx7Dw/s1600/shout.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="236" src="http://3.bp.blogspot.com/-pTf795_5hSA/TY_mnKLuTMI/AAAAAAAAAHQ/A1h55PVx7Dw/s320/shout.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Jeff Perkins’ short film “Shout” was created for the 1966 Fluxus Film Festival held at the Cinamatec Theater on West 41st Street in New York. This silent 2 ½ minute film shows a close crop of two men in profile having an argument. Their wild facial expressions break in and out of the camera frame. &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="250" src="http://www.youtube.com/embed/bJP1bZAWLBs" title="YouTube video player" width="360"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-1348155263276018738?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/1348155263276018738/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=1348155263276018738&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1348155263276018738'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1348155263276018738'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/09/shoutjeff-perkins.html' title='Shout/Jeff Perkins'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-pTf795_5hSA/TY_mnKLuTMI/AAAAAAAAAHQ/A1h55PVx7Dw/s72-c/shout.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-686425996687215820</id><published>2011-08-27T19:39:00.000-07:00</published><updated>2011-08-27T19:39:00.748-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jon Moritsugu'/><title type='text'>Mommy Mommy Where's My Brain/Jon Moritsugu</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-lz4cNtbVzg0/TYgM3ZZR88I/AAAAAAAAAHI/Silx2JykbAo/s1600/Image%2B11.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="232" src="http://1.bp.blogspot.com/-lz4cNtbVzg0/TYgM3ZZR88I/AAAAAAAAAHI/Silx2JykbAo/s320/Image%2B11.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Jon_Moritsugu"&gt;WIKI&lt;/a&gt;: "Jon Moritsugu (born 1965 in Honolulu, Hawaii) is an American underground filmmaker. Moritsugu's films are defined by their "lo-fi" aesthetic, and are often shot on very poor, 16mm film stock to give them a homemade, muddled quality..."&lt;/div&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="250" src="http://www.youtube.com/embed/cLFS4K5c97o" title="YouTube video player" width="360"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-686425996687215820?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/686425996687215820/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=686425996687215820&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/686425996687215820'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/686425996687215820'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/08/mommy-mommy-wheres-my-brainjon.html' title='Mommy Mommy Where&apos;s My Brain/Jon Moritsugu'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-lz4cNtbVzg0/TYgM3ZZR88I/AAAAAAAAAHI/Silx2JykbAo/s72-c/Image%2B11.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-3751744651759679524</id><published>2011-08-15T04:36:00.001-07:00</published><updated>2011-08-15T04:36:50.456-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Claude Pérès'/><title type='text'>Without Qualities/ Claude Pérès</title><content type='html'>&lt;img height="225" src="http://a3.sphotos.ak.fbcdn.net/hphotos-ak-snc6/190318_190157037692300_178836278824376_430106_3934_n.jpg" width="400" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img height="250" src="http://a1.sphotos.ak.fbcdn.net/hphotos-ak-ash4/294514_235355826505754_178836278824376_636577_6827664_n.jpg" width="400" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;''The TAZ is an uprising, a guerilla operation which liberates an area (of land, of time, of imagination) and then dissolves itself to re-form elsewhere/elsewhen, before the State can crush it."&lt;br /&gt;&lt;br /&gt;Starring Myriam Brabant + Heike Fiedler + Natal Haziza + Claude Pérès + Michael Salerno + Sharon Tate + Voin de Voin + Ann Liv Young&lt;br /&gt;&lt;br /&gt;Directed By Claude Pérès&lt;br /&gt;&lt;br /&gt;Website &lt;a href="http://www.without-qualities.com/"&gt;http://www.without-qualities.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe frameborder="0" height="200" src="http://player.vimeo.com/video/27100331?title=0&amp;amp;byline=0&amp;amp;portrait=0&amp;amp;autoplay=1&amp;amp;loop=1" width="400"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-3751744651759679524?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/3751744651759679524/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=3751744651759679524&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3751744651759679524'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3751744651759679524'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/08/without-qualities-claude-peres_15.html' title='Without Qualities/ Claude Pérès'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-6243034623154009166</id><published>2011-08-01T19:05:00.000-07:00</published><updated>2011-08-01T19:05:01.024-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Johan Grimonprez'/><title type='text'>Dial H-I-S-T-O-R-Y/Johan Grimonprez</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh6.googleusercontent.com/-cbvUM0MBlAQ/TYgEyiofUCI/AAAAAAAAAG8/l8C-jltxV4w/s1600/bild.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="227" src="https://lh6.googleusercontent.com/-cbvUM0MBlAQ/TYgEyiofUCI/AAAAAAAAAG8/l8C-jltxV4w/s320/bild.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.skny.com/artists/johan-grimonprez/+Johan+Grimonprez"&gt;ABOUT&lt;/a&gt;: "Johan Grimonprez was born in Roeselare, Belgium in 1962. He studied at the School of Visual Arts and attended the Whitney Museum Independent Study Program in New York.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Grimonprez achieved international acclaim with his film essay, Dial H-I-S-T-O-R-Y. With its premiere at Centre Pompidou and Documenta X in Kassel in 1997, it eerily foreshadowed the events of September 11th. The film tells the story of airplane hijackings since the 1970s and how these changed the course of news reporting. The movie consists of recycled images taken from news broadcasts, Hollywood movies, animated films and commercials. As a child of the first TV generation, the artist mixes reality and fiction in a new way and presents history as a multi-perspective dimension open to manipulation..."&lt;/div&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="220" src="http://www.youtube.com/embed/TKOqPiM11n8" title="YouTube video player" width="360"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-6243034623154009166?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/6243034623154009166/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=6243034623154009166&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6243034623154009166'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6243034623154009166'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/08/dial-h-i-s-t-o-r-yjohan-grimonprez.html' title='Dial H-I-S-T-O-R-Y/Johan Grimonprez'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh6.googleusercontent.com/-cbvUM0MBlAQ/TYgEyiofUCI/AAAAAAAAAG8/l8C-jltxV4w/s72-c/bild.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-2937445137875734584</id><published>2011-07-22T18:58:00.000-07:00</published><updated>2011-07-22T18:58:00.086-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Russ Forster'/><title type='text'>Candy Is Dandy/Russ Forster</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-h-cLKHEn8kQ/TYgDIQpGYFI/AAAAAAAAAG0/Rs_rkWww0NI/s1600/Image%2B8.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="232" src="http://2.bp.blogspot.com/-h-cLKHEn8kQ/TYgDIQpGYFI/AAAAAAAAAG0/Rs_rkWww0NI/s320/Image%2B8.png" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://zinewiki.com/Russ_Forster"&gt;ZINEWIKI&lt;/a&gt;: "Russ Forster is a writer and documentary filmmaker living in Chicago. He is the publisher of the zine 8-Track Mind and has been a contributor to Roctober, Crimewave USA, Hard Times, and other zines..."&lt;/div&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="220" src="http://www.youtube.com/embed/ISYSzUV0TNE" title="YouTube video player" width="360"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-2937445137875734584?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/2937445137875734584/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=2937445137875734584&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/2937445137875734584'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/2937445137875734584'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/07/candy-is-dandyruss-forster.html' title='Candy Is Dandy/Russ Forster'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-h-cLKHEn8kQ/TYgDIQpGYFI/AAAAAAAAAG0/Rs_rkWww0NI/s72-c/Image%2B8.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-5865684453356089824</id><published>2011-07-15T18:48:00.000-07:00</published><updated>2011-07-15T18:48:00.495-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mike Kuchar'/><title type='text'>The Craven Sluck/Mike Kuchar</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh4.googleusercontent.com/-cLYWqonDXwA/TYgAcpQZLCI/AAAAAAAAAGw/n7Ufp3GLoWs/s1600/cover.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="https://lh4.googleusercontent.com/-cLYWqonDXwA/TYgAcpQZLCI/AAAAAAAAAGw/n7Ufp3GLoWs/s320/cover.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;WIKI: "Mike Kuchar (born August 31, 1942, New York City) is an American underground filmmaker and actor.[1] His films are notable for the low-budget, high-camp/pop aesthetic that influenced subsequent artists such as Andy Warhol, John Waters, and David Lynch. Raised in the Bronx, he made his first films as a teenager in the 1950s with his twin brother George Kuchar and participated in New York’s underground film scene in the 1960s and 1970s..."&lt;/div&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="220" src="http://www.youtube.com/embed/dn8slvmHzDY" title="YouTube video player" width="360"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-5865684453356089824?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/5865684453356089824/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=5865684453356089824&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5865684453356089824'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5865684453356089824'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/07/craven-sluckmike-kuchar.html' title='The Craven Sluck/Mike Kuchar'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh4.googleusercontent.com/-cLYWqonDXwA/TYgAcpQZLCI/AAAAAAAAAGw/n7Ufp3GLoWs/s72-c/cover.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-6445107125795852151</id><published>2011-07-06T18:42:00.000-07:00</published><updated>2011-07-06T18:42:00.250-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Santiago Álvarez'/><title type='text'>Now/Santiago Álvarez</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh3.googleusercontent.com/-wXN7ipyvvho/TYf_IgoVT0I/AAAAAAAAAGs/ehC5Qi8GcLo/s1600/Now.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="https://lh3.googleusercontent.com/-wXN7ipyvvho/TYf_IgoVT0I/AAAAAAAAAGs/ehC5Qi8GcLo/s1600/Now.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Santiago_%C3%81lvarez"&gt;WIKI&lt;/a&gt;: "Santiago Álvarez Román (March 18, 1919– May 20, 1998) was a Cuban filmmaker. He wrote and directed many documentaries about Cuban and American culture. His "nervous montage" technique of using "found materials," such as Hollywood movie clips, cartoons, and photographs[1], is considered a precursor to the modern video clip..."&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="220" src="http://www.youtube.com/embed/4uRNA3SgUG8" title="YouTube video player" width="360"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-6445107125795852151?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/6445107125795852151/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=6445107125795852151&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6445107125795852151'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6445107125795852151'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/07/nowsantiago-alvarez.html' title='Now/Santiago Álvarez'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh3.googleusercontent.com/-wXN7ipyvvho/TYf_IgoVT0I/AAAAAAAAAGs/ehC5Qi8GcLo/s72-c/Now.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-5860135943622671190</id><published>2011-06-28T18:37:00.000-07:00</published><updated>2011-06-28T18:37:00.385-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Julia Ostertag'/><title type='text'>Saila/Julia Ostertag</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh6.googleusercontent.com/-w9Qp1r2I04g/TYf902brMBI/AAAAAAAAAGo/HwGqMwLOW1U/s1600/images.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="224" src="https://lh6.googleusercontent.com/-w9Qp1r2I04g/TYf902brMBI/AAAAAAAAAGo/HwGqMwLOW1U/s400/images.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;ABOUT: "born in Stuttgart... Lives in Berlin and Hanover..." &lt;a href="http://www.julia-ostertag.de/"&gt;website&lt;/a&gt;...&lt;br /&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="220" src="http://www.youtube.com/embed/yeCuHBMnuGw" title="YouTube video player" width="360"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-5860135943622671190?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/5860135943622671190/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=5860135943622671190&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5860135943622671190'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5860135943622671190'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/06/sailajulia-ostertag.html' title='Saila/Julia Ostertag'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh6.googleusercontent.com/-w9Qp1r2I04g/TYf902brMBI/AAAAAAAAAGo/HwGqMwLOW1U/s72-c/images.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-5675961046911407098</id><published>2011-06-18T18:26:00.000-07:00</published><updated>2011-06-18T18:26:00.529-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Peggy Ahwesh'/><title type='text'>the third body/Peggy Ahwesh</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-p7vecb0EHug/TYf7YmU1r_I/AAAAAAAAAGg/jVgSv9t_WxE/s1600/5401711860_e3df2c5fe0_z.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="301" src="http://1.bp.blogspot.com/-p7vecb0EHug/TYf7YmU1r_I/AAAAAAAAAGg/jVgSv9t_WxE/s400/5401711860_e3df2c5fe0_z.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Peggy_Ahwesh"&gt;WIKI&lt;/a&gt;: "Peggy Ahwesh (born 1954 in Pittsburgh, Pennsylvania) is an American avant-garde filmmaker and experimental video artist. She received her B.F.A. from Antioch College. Ahwesh's work has been shown at the Solomon R. Guggenheim Museum, New York, the Yerba Buena Center for the Arts, San Francisco, the Balie Theater, Amsterdam, Filmmuseum..."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe frameborder="0" height="260" src="http://player.vimeo.com/video/9206276" width="380"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;a href="http://vimeo.com/9206276"&gt;the third body&lt;/a&gt; from &lt;a href="http://vimeo.com/user2889626"&gt;Peggy Ahwesh&lt;/a&gt; on &lt;a href="http://vimeo.com/"&gt;Vimeo&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-5675961046911407098?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/5675961046911407098/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=5675961046911407098&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5675961046911407098'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5675961046911407098'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/06/third-bodypeggy-ahwesh.html' title='the third body/Peggy Ahwesh'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-p7vecb0EHug/TYf7YmU1r_I/AAAAAAAAAGg/jVgSv9t_WxE/s72-c/5401711860_e3df2c5fe0_z.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-857798989703031512</id><published>2011-06-09T18:20:00.000-07:00</published><updated>2011-06-09T18:20:00.491-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Lewis Klahr'/><title type='text'>Altair/Lewis Klahr</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh5.googleusercontent.com/-wC0yxEucs6I/TYf58aIsyfI/AAAAAAAAAGc/VKDb5HLzwjU/s1600/Lewis_Klahr_culethe.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="266" src="https://lh5.googleusercontent.com/-wC0yxEucs6I/TYf58aIsyfI/AAAAAAAAAGc/VKDb5HLzwjU/s400/Lewis_Klahr_culethe.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;ABOUT: "Lewis Klahr is an experimental filmmaker who specializes in cut-and-paste animation techniques using found photos and illustrations. His work is in the permanent collection of New York’s Museum of Modern Art. When not working on his own films, Klahr has created the animated openings for TV shows, music videos and commercials. He is also currently a film and screenwriting professor at the California Institute of the Arts."&lt;/div&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="220" src="http://www.youtube.com/embed/lDTGfBs83pk" title="YouTube video player" width="360"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-857798989703031512?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/857798989703031512/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=857798989703031512&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/857798989703031512'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/857798989703031512'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/06/altairlewis-klahr.html' title='Altair/Lewis Klahr'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh5.googleusercontent.com/-wC0yxEucs6I/TYf58aIsyfI/AAAAAAAAAGc/VKDb5HLzwjU/s72-c/Lewis_Klahr_culethe.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-3571546681445658533</id><published>2011-06-01T18:15:00.000-07:00</published><updated>2011-06-01T18:15:00.156-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Naomi Uman'/><title type='text'>Removed/Naomi Uman</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: justify;"&gt;&lt;a href="https://lh6.googleusercontent.com/-vHD4Ja1A-0U/TYf4qJHWrDI/AAAAAAAAAGY/hTeQpE_jTxE/s1600/ghost_removed.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="206" src="https://lh6.googleusercontent.com/-vHD4Ja1A-0U/TYf4qJHWrDI/AAAAAAAAAGY/hTeQpE_jTxE/s320/ghost_removed.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.imdb.com/title/tt0285979/"&gt;IMDb&lt;/a&gt;: "Starting with a piece of vintage porn, filmmaker Naomi Uman  painstakingly removed each female figure from the footage using nail  polish remover, leaving a striking absence where there's usually a  fleshy presence. Uman's celebrated film is a smart retort to  pornography's obsessive gaze at the female body."&lt;/div&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="220" src="http://www.youtube.com/embed/QEkMKdf_9Fs" title="YouTube video player" width="360"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-3571546681445658533?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/3571546681445658533/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=3571546681445658533&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3571546681445658533'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3571546681445658533'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/06/removednaomi-uman.html' title='Removed/Naomi Uman'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh6.googleusercontent.com/-vHD4Ja1A-0U/TYf4qJHWrDI/AAAAAAAAAGY/hTeQpE_jTxE/s72-c/ghost_removed.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-8022532689831802867</id><published>2011-05-27T18:01:00.000-07:00</published><updated>2011-05-27T18:01:00.363-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Philip Botti'/><title type='text'>Middletown/Philip Botti</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh3.googleusercontent.com/-S7YEbagvLtM/TYf13qstSqI/AAAAAAAAAGU/GAEAC0cWbM0/s1600/0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="https://lh3.googleusercontent.com/-S7YEbagvLtM/TYf13qstSqI/AAAAAAAAAGU/GAEAC0cWbM0/s320/0.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.imdb.com/title/tt0226138/"&gt;IMDb&lt;/a&gt;: "Filmmaker Philip Botti sets out in his hometown of Middletown, New  Jersey to make his first film for free with the help of a  super-electronic's store 33 day money back gurantee return policy on  video cameras. With camera in hand, Botti documents his oddball group of  friends and family: including; a couch potato mother, a chemically  imbalanced/g-string wearing hot body contestant, Middletown's number one  sex crazed son, a talk show addict and a guy named Sweet Lou."&lt;/div&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="220" src="http://www.youtube.com/embed/hZaAtDaHhtI" title="YouTube video player" width="360"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-8022532689831802867?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/8022532689831802867/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=8022532689831802867&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8022532689831802867'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8022532689831802867'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/05/middletownphilip-botti.html' title='Middletown/Philip Botti'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh3.googleusercontent.com/-S7YEbagvLtM/TYf13qstSqI/AAAAAAAAAGU/GAEAC0cWbM0/s72-c/0.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-8276185438834284322</id><published>2011-05-16T08:44:00.000-07:00</published><updated>2011-05-16T08:44:00.198-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Arthur Lipsett'/><title type='text'>Very Nice, Very Nice/Arthur Lipsett</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_ZGA7f7vYgxM/THU7GKjCEVI/AAAAAAAAAFA/T97_0ixt0Hg/s1600/4140.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_ZGA7f7vYgxM/THU7GKjCEVI/AAAAAAAAAFA/T97_0ixt0Hg/s320/4140.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Arthur_Lipsett"&gt;WIKI&lt;/a&gt;: In the 1960s he was employed as an animator by the National Film Board of Canada. Lipsett's particular passion was sound. He collected pieces of sound from a variety of sources and fit them together to create an interesting auditory sensation. After playing one of these creations to friends, they suggested that Lipsett combine images with the sound collage. The result is a 7 minute long film Very Nice, Very Nice  which was nominated for the Academy Award for Best Short Subject, Live Action Subjects in 1962. Despite not winning the Oscar, this film brought Lipsett considerable praise from critics and directors. &lt;/div&gt;&lt;br /&gt;&lt;object height="285" width="380"&gt;&lt;param name="movie" value="http://www.youtube.com/v/mY7B2-Wqj6g?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/mY7B2-Wqj6g?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="380" height="285"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-8276185438834284322?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/8276185438834284322/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=8276185438834284322&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8276185438834284322'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8276185438834284322'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/05/very-nice-very-nicearthur-lipsett.html' title='Very Nice, Very Nice/Arthur Lipsett'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZGA7f7vYgxM/THU7GKjCEVI/AAAAAAAAAFA/T97_0ixt0Hg/s72-c/4140.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-3616891872107284537</id><published>2011-05-09T02:38:00.000-07:00</published><updated>2011-05-09T02:38:00.443-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Joseph Cornell'/><title type='text'>Rose Hobart/Joseph Cornell</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_ZGA7f7vYgxM/THRG9gEcLcI/AAAAAAAAAD4/o_Pjd0lE7po/s1600/rose_hobart.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_ZGA7f7vYgxM/THRG9gEcLcI/AAAAAAAAAD4/o_Pjd0lE7po/s320/rose_hobart.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Rose_Hobart_%28film%29"&gt;WIKI&lt;/a&gt;: Rose Hobart (1936) is a short, 19-minute experimental film created by the artist Joseph Cornell, who cut and re-edited the Hollywood film East of Borneo into one of America's most famous surrealist short films. Cornell was fascinated by the star of East of Borneo, an actress named Rose Hobart, and named his short film after her. The piece consists of snippets from East of Borneo combined with shots from a documentary of an eclipse.&lt;/div&gt;&lt;br /&gt;&lt;object height="248" width="380"&gt;&lt;param name="movie" value="http://www.dailymotion.com/swf/video/xp8ir?additionalInfos=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;/param&gt;&lt;embed type="application/x-shockwave-flash" src="http://www.dailymotion.com/swf/video/xp8ir?additionalInfos=0" width="380" height="248" allowfullscreen="true" allowscriptaccess="always"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-3616891872107284537?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/3616891872107284537/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=3616891872107284537&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3616891872107284537'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3616891872107284537'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/05/rose-hobartjoseph-cornell.html' title='Rose Hobart/Joseph Cornell'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ZGA7f7vYgxM/THRG9gEcLcI/AAAAAAAAAD4/o_Pjd0lE7po/s72-c/rose_hobart.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-5329847386981952739</id><published>2011-04-30T15:16:00.000-07:00</published><updated>2011-05-04T19:58:43.762-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ron Rice'/><title type='text'>Queen of Sheba Meets the Atom Man/Ron Rice</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-RwQ4Ti099RA/TcISNZ2hEoI/AAAAAAAAAHc/Hsa7tL6yNI0/s1600/Image+2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://4.bp.blogspot.com/-RwQ4Ti099RA/TcISNZ2hEoI/AAAAAAAAAHc/Hsa7tL6yNI0/s320/Image+2.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://en.wikipedia.org/wiki/Queen_of_Sheba_Meets_the_Atom_Man"&gt;WIKI&lt;/a&gt;: Queen of Sheba Meets the Atom Man (1963) is an experimental film by Ron Rice. It stars Winifred Bryan as the Queen of Sheba and Taylor Mead as the Atom Man. Featured players are Ron Rice, Julian Beck, Judith Malina, Jack Smith, and Jonas Mekas. Rice died before the editing was complete, so Mead finished the project in 1981.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;i&gt;"The film describes, poetically, a way of living. The film is a  protest which is violent, childish, and sincere-a protest against an  industrial world based on the cycle of production and consumption."&lt;/i&gt; --Albert Moravia, Rome L'Espresso. &lt;/div&gt;&lt;br /&gt;&lt;a href="http://vodpod.com/watch/3022192-u-b-u-w-e-b-film-video-ron-rice-queen-of-sheba-meets-the-atom-man-1963"&gt;watch here&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-5329847386981952739?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/5329847386981952739/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=5329847386981952739&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5329847386981952739'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5329847386981952739'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/04/queen-of-sheba-meets-atom-manron-rice.html' title='Queen of Sheba Meets the Atom Man/Ron Rice'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-RwQ4Ti099RA/TcISNZ2hEoI/AAAAAAAAAHc/Hsa7tL6yNI0/s72-c/Image+2.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-6344933103662797147</id><published>2011-04-21T21:52:00.000-07:00</published><updated>2011-04-21T21:52:00.184-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Marguerite Duras'/><title type='text'>Les Mains Négatives/Marguerite Duras</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_ZGA7f7vYgxM/TIxcvJ7JlSI/AAAAAAAAAF4/69zIZ6YG2rk/s1600/mains_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="237" src="http://4.bp.blogspot.com/_ZGA7f7vYgxM/TIxcvJ7JlSI/AAAAAAAAAF4/69zIZ6YG2rk/s400/mains_n.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;France | 1978 | 18mins | 16mm&lt;br /&gt;Les Mains Negative was shot from the window of a moving car in the early hours of the morning, during a popular holiday season. The deserted boulevards of Paris are punctuated by interspersed groups of dark-skinned workers, stray prostitutes and vagabonds.&lt;br /&gt;Duras alternates between speaking to a man who painted a prehistoric stencil of hand (main négative) or talking as if she were that man...&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="380" height="285"&gt;&lt;param name="movie" value="http://www.youtube.com/v/HPEtD3lr6Fk?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/HPEtD3lr6Fk?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="380" height="285"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-6344933103662797147?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/6344933103662797147/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=6344933103662797147&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6344933103662797147'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6344933103662797147'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/04/les-mains-negativesmarguerite-duras.html' title='Les Mains Négatives/Marguerite Duras'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZGA7f7vYgxM/TIxcvJ7JlSI/AAAAAAAAAF4/69zIZ6YG2rk/s72-c/mains_n.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-1748059356691605894</id><published>2011-04-11T10:42:00.000-07:00</published><updated>2011-04-11T10:42:00.292-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Teinosuke Kinugasa'/><title type='text'>狂った一頁/Teinosuke Kinugasa</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_ZGA7f7vYgxM/THVW8eu6-gI/AAAAAAAAAFo/AqvhPRNJTuQ/s1600/a-page-of-madness_001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_ZGA7f7vYgxM/THVW8eu6-gI/AAAAAAAAAFo/AqvhPRNJTuQ/s320/a-page-of-madness_001.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/A_Page_of_Madness"&gt;WIKI&lt;/a&gt;: A Page of Madness (狂った一頁, Kurutta Ippēji or Kurutta Ichipeiji) is a silent film by Japanese film director Teinosuke Kinugasa, made in 1926. It was lost for fifty years until being rediscovered by Kinugasa in his storehouse in 1971. The film is the product of an avant garde group of artists in Japan known as the Shinkankaku-ha (or School of New Perceptions) who tried to overcome naturalistic representation.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The film takes place in an asylum. Although cut together in an ever maddening maelstrom, the film loosely tells the story of the janitor of the asylum. His wife is one of the patients. One day their daughter shows up at the asylum to tell her mother about her engagement. This sets off a number of subplots and flashbacks which stitch together the family history.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="285" width="380"&gt;&lt;param name="movie" value="http://www.youtube.com/v/jLGQe4kGG-U?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/jLGQe4kGG-U?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="380" height="285"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-1748059356691605894?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/1748059356691605894/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=1748059356691605894&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1748059356691605894'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1748059356691605894'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/04/teinosuke-kinugasa.html' title='狂った一頁/Teinosuke Kinugasa'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ZGA7f7vYgxM/THVW8eu6-gI/AAAAAAAAAFo/AqvhPRNJTuQ/s72-c/a-page-of-madness_001.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-1298384490310563838</id><published>2011-04-01T10:31:00.000-07:00</published><updated>2011-04-03T06:59:37.659-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Thierry Zéno'/><title type='text'>Vase de Noces/Thierry Zéno</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_ZGA7f7vYgxM/THVUAIr8iMI/AAAAAAAAAFg/WQqQTIdu-6Q/s1600/vase1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_ZGA7f7vYgxM/THVUAIr8iMI/AAAAAAAAAFg/WQqQTIdu-6Q/s320/vase1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Vase_de_Noces"&gt;WIKI&lt;/a&gt;: Vase de Noces (1974) is a Belgian arthouse film directed by Thierry Zéno and stars Dominique Garny.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The film deals openly, and sometimes graphically, with bestiality, and is informally known as The Pig Fucking Movie. It also features real animal killings and coprophagia, and has been labeled obscene by many sources, notably by the OFLC of Australia.&lt;/div&gt;&lt;br /&gt;&lt;object data="http://www.ameibo.com/swf/player_flv_maxi.swf" height="416" type="application/x-shockwave-flash" width="544"&gt;&lt;param name="wmode" value="transparent" /&gt;&lt;param name="movie" value="http://www.ameibo.com/swf/player_flv_maxi.swf" /&gt;&lt;param name="allowFullScreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="FlashVars" value="flv=http://www.ameibo.com/trailer/VaseDeNoces_3341.flv&amp;amp;slidercolor1=444444&amp;amp;slidercolor2=222222&amp;amp;sliderovercolor=FF7418&amp;amp;buttoncolor=444444&amp;amp;buttonovercolor=FF7418&amp;amp;shortcut=0&amp;amp;showiconplay=1&amp;amp;iconplaycolor=FF7418&amp;amp;playeralpha=35&amp;amp;margin=0&amp;amp;showfullscreen=1&amp;amp;showvolume=1&amp;amp;height=246&amp;amp;width=344&amp;amp;top1=http://www.ameibo.com/image/trailer_overlay_ameibo.png|5|5" /&gt;&lt;embed src="http://www.ameibo.com/swf/player_flv_maxi.swf" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" wmode="transparent" FlashVars="flv=http://www.ameibo.com/trailer/VaseDeNoces_3341.flv&amp;amp;slidercolor1=444444&amp;amp;slidercolor2=222222&amp;amp;sliderovercolor=FF7418&amp;amp;buttoncolor=444444&amp;amp;buttonovercolor=FF7418&amp;amp;shortcut=0&amp;amp;showiconplay=1&amp;amp;iconplaycolor=FF7418&amp;amp;playeralpha=35&amp;amp;margin=0&amp;amp;showfullscreen=1&amp;amp;showvolume=1&amp;amp;height=246&amp;amp;width=344&amp;amp;top1=http://www.ameibo.com/image/trailer_overlay_ameibo.png|5|5" width="344" height="246" &gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-1298384490310563838?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/1298384490310563838/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=1298384490310563838&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1298384490310563838'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1298384490310563838'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/04/vase-de-nocesthierry-zeno.html' title='Vase de Noces/Thierry Zéno'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZGA7f7vYgxM/THVUAIr8iMI/AAAAAAAAAFg/WQqQTIdu-6Q/s72-c/vase1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-7299959739885262817</id><published>2011-03-22T10:17:00.000-07:00</published><updated>2011-03-27T14:21:13.203-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tony Conrad'/><title type='text'>Ten Years Alive on the Infinite Plain/Tony Conrad</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_ZGA7f7vYgxM/THVQoPgGr9I/AAAAAAAAAFY/xBVFLqPEirc/s1600/0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_ZGA7f7vYgxM/THVQoPgGr9I/AAAAAAAAAFY/xBVFLqPEirc/s320/0.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;WIKI: Tony Conrad (born Anthony S. Conrad in 1940 in Concord, New Hampshire) is an American avant-garde video artist, experimental filmmaker, musician/composer, sound artist, teacher and writer.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;ABOUT: The performance begins with a violin drone from Conrad, punctuated by a slight glitch whenever his bow reverses direction. O’Rourke starts to add resounding bass notes, first irregularly, later settling into a steady pulse. The piece is “Ten Years Alive on the Infinite Plain,” composed in the early seventies.&amp;nbsp;&lt;/div&gt;&lt;br /&gt;&lt;object height="285" width="380"&gt;&lt;param name="movie" value="http://www.youtube.com/v/7yCHstLAChs?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/7yCHstLAChs?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="380" height="285"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-7299959739885262817?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/7299959739885262817/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=7299959739885262817&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7299959739885262817'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7299959739885262817'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/03/ten-years-alive-on-infinite-plaintony.html' title='Ten Years Alive on the Infinite Plain/Tony Conrad'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZGA7f7vYgxM/THVQoPgGr9I/AAAAAAAAAFY/xBVFLqPEirc/s72-c/0.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-410454776901219408</id><published>2011-03-15T10:08:00.000-07:00</published><updated>2011-03-27T14:20:34.681-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Pere Portabella'/><title type='text'>Cuadecuc, vampir/Pere Portabella</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_ZGA7f7vYgxM/THVOotwo23I/AAAAAAAAAFQ/KQ66PJ_-lbA/s1600/vlcsnap-6810.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_ZGA7f7vYgxM/THVOotwo23I/AAAAAAAAAFQ/KQ66PJ_-lbA/s320/vlcsnap-6810.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Cuadecuc,_vampir"&gt;WIKI&lt;/a&gt;: Vampir-Cuadecuc is a 1970 experimental feature film by Catalan filmmaker Pere Portabella.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The entire film is photographed on high contrast black &amp;amp; white film stock, which gives it the appearance of a degraded film print, evoking early Expressionist horror films such as F.W. Murnau's Nosferatu or Carl Theodor Dreyer's Vampyr. It was shot on the set of Jesus Franco's Count Dracula, starring Christopher Lee and Herbert Lom. The sound track is by frequent Portabella collaborator Carles Santos, and the only spoken dialogue in the film appears only in the last scene, which features Lee reading from Bram Stoker's original novel.&lt;/div&gt;&lt;br /&gt;&lt;object height="285" width="380"&gt;&lt;param name="movie" value="http://www.youtube.com/v/xD3-DwFIfNg?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/xD3-DwFIfNg?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="380" height="285"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-410454776901219408?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/410454776901219408/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=410454776901219408&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/410454776901219408'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/410454776901219408'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/03/cuadecuc-vampirpere-portabella.html' title='Cuadecuc, vampir/Pere Portabella'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZGA7f7vYgxM/THVOotwo23I/AAAAAAAAAFQ/KQ66PJ_-lbA/s72-c/vlcsnap-6810.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-6597336103116229835</id><published>2011-03-04T08:52:00.000-08:00</published><updated>2011-03-27T14:15:23.325-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='James Benning'/><title type='text'>Landscape Suicide/James Benning</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_ZGA7f7vYgxM/THU9HhvXcGI/AAAAAAAAAFI/uTBIZOYnDJc/s1600/landscapesuicide.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_ZGA7f7vYgxM/THU9HhvXcGI/AAAAAAAAAFI/uTBIZOYnDJc/s320/landscapesuicide.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;ABOUT: "The murderers in James Benning's LANDSCAPE SUICIDE are a paranoiac teenage girl and a taciturn Wisconsin farmer. The reconstructive narratives take the viewer through the slants of minds in disturbance, through the ambiguities that surround any act of violence. Both Bernadette Protti, who killed a more popular classmate with a kitchen knife, and Edward Gein, who shot a storekeeper's wife and then took her body home and cut it up, provide exemplars of 'I couldn't stop.' The homicides allow Benning to deal in emotion that is external to him (yet deeply felt), while imbuing his trademark 'still' images of roads, trucks, billboards, buildings and trees with newly charged meaning. ... As strong as Benning's photography is, it's the talking head sequences that prove most chilling. The power of Rhonda Bell's portrayal of Protti is such that there are moments when we're convinced she's the real killer. So, too, with Elion Sucher's Gein, who looks like he's been struck between the eyes with a heavy object, his head so caved-in by dementia. There is no actual violence here - save the disembowelment of a deer - but LANDSCAPE SUICIDE leaves you feeling like a witness nonetheless." - Katherine Dieckman, The Village Voice&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-6597336103116229835?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/6597336103116229835/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=6597336103116229835&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6597336103116229835'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6597336103116229835'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/03/landscape-suicidejames-benning.html' title='Landscape Suicide/James Benning'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ZGA7f7vYgxM/THU9HhvXcGI/AAAAAAAAAFI/uTBIZOYnDJc/s72-c/landscapesuicide.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-5212162650257201963</id><published>2011-02-19T12:17:00.000-08:00</published><updated>2011-03-27T14:19:35.687-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='David Wojnarowicz'/><title type='text'>A Fire in My Belly / David Wojnarowicz</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-hgIdJbDOdSQ/TVbsMOwNxHI/AAAAAAAAAGQ/cz8tG_apCGA/s1600/fireinmybelly_still.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="216" src="http://4.bp.blogspot.com/-hgIdJbDOdSQ/TVbsMOwNxHI/AAAAAAAAAGQ/cz8tG_apCGA/s320/fireinmybelly_still.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;David Wojnarowicz (September 14, 1954 – July 22, 1992) was a painter, photographer, writer, filmmaker, performance artist, and activist who was prominent in the New York City art world of the 1980s.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A Fire in My Belly was made by Wojnarowicz from footage that he made while visiting Mexico. His use of powerful and sometimes brutal imagery expresses his suffering from AIDS and his need to speak out against those who oppress the afflicted.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Controversy:&lt;/div&gt;&lt;div style="text-align: justify;"&gt;In November 2010, G. Wayne Clough, Secretary of the Smithsonian, removed Wojnarowicz's short silent film A Fire in My Belly from the exhibit "Hide/Seek: Difference and Desire in American Portraiture" at the National Portrait Gallery after complaints from the Catholic League and Rep. John Boehner. One segment of the film shows ants crawling over a crucifix. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;In response, The Andy Warhol Foundation, which had co-sponsored the exhibition, announced that it would not fund future Smithsonian projects, while several institutions, including SFMOMA and Tate Modern, scheduled showings of the removed work.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="290" width="380"&gt;&lt;param name="movie" value="http://www.youtube.com/v/RM_80zif-5w?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/RM_80zif-5w?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="380" height="290"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-5212162650257201963?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/5212162650257201963/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=5212162650257201963&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5212162650257201963'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5212162650257201963'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/02/fire-in-my-belly-david-wojnarowicz.html' title='A Fire in My Belly / David Wojnarowicz'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-hgIdJbDOdSQ/TVbsMOwNxHI/AAAAAAAAAGQ/cz8tG_apCGA/s72-c/fireinmybelly_still.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-6234325843425557082</id><published>2011-02-12T08:37:00.000-08:00</published><updated>2011-03-27T14:18:13.918-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Dziga Vertov'/><title type='text'>Человек с киноаппаратом/Dziga Vertov</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_ZGA7f7vYgxM/THU5mdAn07I/AAAAAAAAAE4/qIJPwA7B9WI/s1600/Man_with_a_Movie_Camera_poster_2-706130.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_ZGA7f7vYgxM/THU5mdAn07I/AAAAAAAAAE4/qIJPwA7B9WI/s320/Man_with_a_Movie_Camera_poster_2-706130.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera"&gt;WIKI&lt;/a&gt;: Man with a Movie Camera is an experimental 1929 silent documentary film, with no story and no actors, by Russian director Dziga Vertov.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;This film is famous for the range of cinematic techniques Vertov invents, deploys or develops, such as double exposure, fast motion, slow motion, freeze frames, jump cuts, split screens, Dutch angles, extreme close-ups, tracking shots, footage played backwards, stop motion animations and a self-reflexive style (at one point it features a split screen tracking shot; the sides have opposite Dutch angles).&lt;/div&gt;&lt;br /&gt;&lt;object height="285" width="380"&gt;&lt;param name="movie" value="http://www.youtube.com/v/00ZciIC4JPw?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/00ZciIC4JPw?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="380" height="285"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-6234325843425557082?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/6234325843425557082/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=6234325843425557082&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6234325843425557082'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6234325843425557082'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/02/dziga-vertov.html' title='Человек с киноаппаратом/Dziga Vertov'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZGA7f7vYgxM/THU5mdAn07I/AAAAAAAAAE4/qIJPwA7B9WI/s72-c/Man_with_a_Movie_Camera_poster_2-706130.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-6605113090395814336</id><published>2011-02-04T17:31:00.000-08:00</published><updated>2011-03-27T14:17:29.512-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Hollis Frampton'/><title type='text'>(nostalgia)/Hollis Frampton</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_ZGA7f7vYgxM/THRkntKzVnI/AAAAAAAAAEw/4vYXtkq0UvA/s1600/Nostalgia_small.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_ZGA7f7vYgxM/THRkntKzVnI/AAAAAAAAAEw/4vYXtkq0UvA/s320/Nostalgia_small.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;WIKI: (nostalgia), is a 38 minute 1971 film by artist Hollis Frampton  (1936–1984). The film is composed of still black and white photographs taken by Frampton during his early artistic explorations which are slowly burned on the element of a hot plate, while the soundtrack offers personal comments on the content of the images, read by fellow artist Michael Snow. Each comment/story is heard in succession before the related photograph appears onscreen, thus causing the viewer to actively engage with the 'past' and 'present' moments as presented within the film.&lt;/div&gt;&lt;br /&gt;&lt;object height="285" width="380"&gt;&lt;param name="movie" value="http://www.youtube.com/v/300DOyjj3Vw?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/300DOyjj3Vw?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="380" height="285"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-6605113090395814336?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/6605113090395814336/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=6605113090395814336&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6605113090395814336'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6605113090395814336'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/02/nostalgiahollis-frampton.html' title='(nostalgia)/Hollis Frampton'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZGA7f7vYgxM/THRkntKzVnI/AAAAAAAAAEw/4vYXtkq0UvA/s72-c/Nostalgia_small.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-7576456482363811648</id><published>2011-01-25T17:20:00.000-08:00</published><updated>2011-03-27T14:16:43.207-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Kenneth MacPherson'/><title type='text'>Borderline/Kenneth MacPherson</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_ZGA7f7vYgxM/TUSJZRofMoI/AAAAAAAAAGI/ErV_6NFQ6OY/s1600/borderline.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="248" src="http://4.bp.blogspot.com/_ZGA7f7vYgxM/TUSJZRofMoI/AAAAAAAAAGI/ErV_6NFQ6OY/s320/borderline.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://en.wikipedia.org/wiki/Borderline_%281930_film%29"&gt;WIKI&lt;/a&gt;: Borderline is a 1930 experimental silent film by Kenneth MacPherson and the Pool Group, starring Paul Robeson. In the film two couples-White and Black-intersect with racial values, each other, and the small town in which they find themselves. The Pool Group consisted of Winfred Ellerman, her bisexual husband Kenneth McPherson and her lover (and Kenneth MacPherson's), the poet H.D. (Hilda Doolittle). Borderline was the last film that the Pool Group would complete before disbanding and has become a classic of early experimental cinema.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="285" width="380"&gt;&lt;param name="movie" value="http://www.youtube.com/v/S8p08wbJYfs?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/S8p08wbJYfs?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="380" height="285"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-7576456482363811648?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/7576456482363811648/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=7576456482363811648&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7576456482363811648'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7576456482363811648'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/01/borderlinekenneth-macpherson.html' title='Borderline/Kenneth MacPherson'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZGA7f7vYgxM/TUSJZRofMoI/AAAAAAAAAGI/ErV_6NFQ6OY/s72-c/borderline.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-7890548287446257154</id><published>2011-01-12T17:13:00.000-08:00</published><updated>2011-03-27T14:34:58.442-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jean Cocteau'/><title type='text'>Le Sang d'un Poète/Jean Cocteau</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_ZGA7f7vYgxM/THRg7MM_GgI/AAAAAAAAAEo/ybBNtbalAAA/s1600/blood+poet.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_ZGA7f7vYgxM/THRg7MM_GgI/AAAAAAAAAEo/ybBNtbalAAA/s320/blood+poet.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/The_Blood_of_a_Poet"&gt;WIKI&lt;/a&gt;: The Blood of a Poet (French: Le Sang d'un Poete) (1930) is an avant-garde film directed by Jean Cocteau and financed by Charles, Vicomte de Noailles. Photographer Lee Miller made her only film appearance in this movie, and it also features an appearance by the famed aerialist Barbette.[1] It is the first part of the Orphic Trilogy, which is continued in Orphée (1950) and was concluded with Testament of Orpheus (1960).&lt;/div&gt;&lt;br /&gt;&lt;object height="285" width="380"&gt;&lt;param name="movie" value="http://www.youtube.com/v/3scPy9ohKDc?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/3scPy9ohKDc?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="380" height="285"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-7890548287446257154?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/7890548287446257154/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=7890548287446257154&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7890548287446257154'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7890548287446257154'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/01/le-sang-dun-poetejean-cocteau.html' title='Le Sang d&apos;un Poète/Jean Cocteau'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZGA7f7vYgxM/THRg7MM_GgI/AAAAAAAAAEo/ybBNtbalAAA/s72-c/blood+poet.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-3893699954661729328</id><published>2011-01-04T17:01:00.000-08:00</published><updated>2011-03-27T14:35:37.794-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Bill Morrison'/><title type='text'>Decasia/Bill Morrison</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_ZGA7f7vYgxM/THRd1Z8v_MI/AAAAAAAAAEg/M34FfLdZCw4/s1600/MorrisonDecasia5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_ZGA7f7vYgxM/THRd1Z8v_MI/AAAAAAAAAEg/M34FfLdZCw4/s320/MorrisonDecasia5.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Decasia"&gt;WIKI&lt;/a&gt;: Decasia is a 2002 found footage film by Bill Morrison, featuring an original score by Michael Gordon. The film is a meditation on old, decaying silent films and is similar in spirit to Lyrical Nitrate. It begins and ends with scenes of a dervish  and is bookended with old footage showing how film is processed. Some of the deterioration was enhanced with computers to create more meaningful abstract imagery.&lt;/div&gt;&lt;br /&gt;&lt;object height="285" width="340"&gt;&lt;param name="movie" value="http://www.youtube.com/v/iy5HD8Ddw1s?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/iy5HD8Ddw1s?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="340" height="285"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-3893699954661729328?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/3893699954661729328/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=3893699954661729328&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3893699954661729328'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3893699954661729328'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2011/01/decasiabill-morrison.html' title='Decasia/Bill Morrison'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ZGA7f7vYgxM/THRd1Z8v_MI/AAAAAAAAAEg/M34FfLdZCw4/s72-c/MorrisonDecasia5.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-4885671417221034664</id><published>2010-12-19T16:27:00.000-08:00</published><updated>2011-03-27T14:36:49.521-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jack Chambers.'/><title type='text'>The Hart of London/Jack Chambers.</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_ZGA7f7vYgxM/THRVuRd35gI/AAAAAAAAAEY/SWigREx3_w8/s1600/hart_of_london_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_ZGA7f7vYgxM/THRVuRd35gI/AAAAAAAAAEY/SWigREx3_w8/s320/hart_of_london_1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;WIKI: The Hart of London is a 1970 experimental Canadian film directed by Jack Chambers. Stan Brakhage proclaimed it as "one of the greatest films ever made". Shot in black and white and colour, the film is preoccupied with the tensions between nature and the city of London, Ontario.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="285" width="380"&gt;&lt;param name="movie" value="http://www.youtube.com/v/E-JbyS3XoPk?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/E-JbyS3XoPk?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="380" height="285"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-4885671417221034664?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/4885671417221034664/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=4885671417221034664&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/4885671417221034664'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/4885671417221034664'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/12/hart-of-londonjack-chambers.html' title='The Hart of London/Jack Chambers.'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ZGA7f7vYgxM/THRVuRd35gI/AAAAAAAAAEY/SWigREx3_w8/s72-c/hart_of_london_1.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-3670362728351478640</id><published>2010-12-14T16:18:00.000-08:00</published><updated>2011-03-27T14:42:47.217-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Bruce Conner'/><title type='text'>Ten seconds film/Bruce Conner</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_ZGA7f7vYgxM/THRT5-s5vgI/AAAAAAAAAEQ/ZNvhe5FRNB8/s1600/tensecondfilm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_ZGA7f7vYgxM/THRT5-s5vgI/AAAAAAAAAEQ/ZNvhe5FRNB8/s320/tensecondfilm.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Bruce_Conner"&gt;WIKI&lt;/a&gt;: Bruce Conner (November 18, 1933 – July 7, 2008) was an American artist renowned for his work in assemblage, film, drawing, sculpture, painting, collage, and photography, among other disciplines.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;His innovative technique of skillfully montaged shots from pre-existing borrowed or found footage can be seen in his first film A MOVIE (1958). His subsequent films are most often fast-paced collages of found footage or of footage shot by Conner; however, he made numerous films, including most notably CROSSROADS, his 30 plus minute meditation on the atom bomb, that are almost achingly deliberate in their pace. Conner was among the first to use pop music for film sound tracks. His films have inspired generations of filmmakers, and are now considered to be the precursors of the music video genre. When told of his impact on music videos, Conner would reply, "don't blame me."&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-3670362728351478640?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/3670362728351478640/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=3670362728351478640&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3670362728351478640'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3670362728351478640'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/12/bruce-conner.html' title='Ten seconds film/Bruce Conner'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ZGA7f7vYgxM/THRT5-s5vgI/AAAAAAAAAEQ/ZNvhe5FRNB8/s72-c/tensecondfilm.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-9045857869800666623</id><published>2010-12-04T16:11:00.000-08:00</published><updated>2010-12-04T16:11:00.197-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Douglas Gordon'/><title type='text'>24 Hour Psycho/Douglas Gordon</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_ZGA7f7vYgxM/THRSB0ROiiI/AAAAAAAAAEI/7glWnH_dU1Q/s1600/Gordon-Douglas-24-Hour-Psycho.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_ZGA7f7vYgxM/THRSB0ROiiI/AAAAAAAAAEI/7glWnH_dU1Q/s320/Gordon-Douglas-24-Hour-Psycho.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/24_Hour_Psycho"&gt;WIKI&lt;/a&gt;: 24 Hour Psycho is a film made and produced by the British artist Douglas Gordon in 1993. The film consists entirely of Alfred Hitchcock's 1960 Psycho  slowed down to approximately two frames a second, rather than the usual 24. As a result it lasts for exactly 24 hours, rather than the original 109 minutes.  The film was an important work in Gordon's early career, and is said to introduce themes common to his work, such as "recognition and repetition, time and memory, complicity and duplicity, authorship and authenticity, darkness and light." Gordon would show the film to interested viewers in his own bedroom. &lt;/div&gt;&lt;br /&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/I1jkoMfPa40?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/I1jkoMfPa40?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-9045857869800666623?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/9045857869800666623/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=9045857869800666623&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/9045857869800666623'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/9045857869800666623'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/12/24-hour-psychodouglas-gordon.html' title='24 Hour Psycho/Douglas Gordon'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZGA7f7vYgxM/THRSB0ROiiI/AAAAAAAAAEI/7glWnH_dU1Q/s72-c/Gordon-Douglas-24-Hour-Psycho.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-9216970640876696900</id><published>2010-11-27T16:02:00.000-08:00</published><updated>2010-11-27T16:02:00.848-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jackie Raynal'/><title type='text'>Deux fois/Jackie Raynal</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_ZGA7f7vYgxM/THRP5axQ9ZI/AAAAAAAAAEA/QeHXO6irm3c/s1600/116.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_ZGA7f7vYgxM/THRP5axQ9ZI/AAAAAAAAAEA/QeHXO6irm3c/s320/116.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Deux_fois"&gt;WIKI&lt;/a&gt;: Deux fois is a 1968 experimental film by Jackie Raynal. It is one of the most notable of the Zanzibar Films, a group of feature-length experimental work made from 1968 to 1970 with the financing of Sylvina Boissonnas. It is also considered a landmark of Feminist filmmaking. Raynal shot the film in nine days in Barcelona, Spain, casting a man she had met there, Francisco Viader, as one of the leads.&lt;/div&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="414" src="http://blip.tv/play/AcX3SgI" type="application/x-shockwave-flash" width="480"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-9216970640876696900?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/9216970640876696900/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=9216970640876696900&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/9216970640876696900'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/9216970640876696900'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/11/deux-foisjackie-raynal.html' title='Deux fois/Jackie Raynal'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZGA7f7vYgxM/THRP5axQ9ZI/AAAAAAAAAEA/QeHXO6irm3c/s72-c/116.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-117223539392352956</id><published>2010-11-12T02:40:00.000-08:00</published><updated>2010-11-12T02:40:00.452-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Harmony Korine'/><title type='text'>Trash Humpers/ Harmony Korine</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_ZGA7f7vYgxM/TNklPkKjt3I/AAAAAAAAAGA/Qk0mD5ZFmQU/s1600/Humperposter.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/_ZGA7f7vYgxM/TNklPkKjt3I/AAAAAAAAAGA/Qk0mD5ZFmQU/s400/Humperposter.jpg" width="267" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://en.wikipedia.org/wiki/Trash_Humpers"&gt;WIKI&lt;/a&gt;: "Trash Humpers is a 2009 American drama film directed by Harmony Korine. Using a visual style that mimics a worn VHS home video, the film features a "loser-gang cult-freak collective" and their whereabouts in Nashville, Tennessee."&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.trashhumpers.com/"&gt;WEBSITE &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe frameborder="0" height="265" src="http://player.vimeo.com/video/14177259" width="400"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;a href="http://vimeo.com/14177259"&gt;TRASH HUMPERS TRAILER&lt;/a&gt; from &lt;a href="http://vimeo.com/user4506042"&gt;Trash Humpers&lt;/a&gt; on &lt;a href="http://vimeo.com/"&gt;Vimeo&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-117223539392352956?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/117223539392352956/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=117223539392352956&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/117223539392352956'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/117223539392352956'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/11/trash-humpers-harmony-korine.html' title='Trash Humpers/ Harmony Korine'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ZGA7f7vYgxM/TNklPkKjt3I/AAAAAAAAAGA/Qk0mD5ZFmQU/s72-c/Humperposter.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-5949970073755647809</id><published>2010-10-29T13:29:00.000-07:00</published><updated>2010-11-08T02:41:59.866-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Claude Pérès'/><title type='text'>Infidèles (Unfaithful)/Claude Pérès</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_St7yhzhZwYk/TIge-mKnJ4I/AAAAAAAAAGo/7g6sAWLBPgk/s400/post.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/_St7yhzhZwYk/TIge-mKnJ4I/AAAAAAAAAGo/7g6sAWLBPgk/s320/post.jpg" width="240" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;ABOUT: "Director &lt;b&gt;Claude Pérès&lt;/b&gt; takes viewers on a haunting  journey with this groundbreaking drama.&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The premise is simple:  Pérès and a man he's never met will sleep together while the cameras  roll. No contract, no film crew, no boundaries. The end result is a film  that challenges viewers to look into the heart of human desire.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;There’s palpable tension as "the director" (Pérès) and "the actor" engage in conversation and gradually give in to the film’s unusual and unpredictable scenario. Pérès loosely structures the  encounter as an interview in which he poses piercing questions to his  onscreen lover, himself, and the audience.&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;It’s is the kind of film that seeps into the viewers’  subconscious and rattles their comfort levels.&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;After watching &lt;b&gt;Unfaithful&lt;/b&gt;, audiences will never look at cinema the same way again."&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://www.unfaithful-themovie.com/"&gt;Website&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;object style="height: 290px; width: 430px;"&gt;&lt;param name="movie" value="http://www.youtube.com/v/eGYZOQMeBbA?version=3"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/eGYZOQMeBbA?version=3" type="application/x-shockwave-flash" allowfullscreen="true" allowScriptAccess="always" width="430" height="290"&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-5949970073755647809?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/5949970073755647809/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=5949970073755647809&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5949970073755647809'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5949970073755647809'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/10/infideles-unfaithfulclaude-peres.html' title='Infidèles (Unfaithful)/Claude Pérès'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_St7yhzhZwYk/TIge-mKnJ4I/AAAAAAAAAGo/7g6sAWLBPgk/s72-c/post.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-1716838185247606621</id><published>2010-10-24T15:07:00.000-07:00</published><updated>2010-10-24T15:07:00.602-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sidney Peterson'/><title type='text'>The Lead Shoes/Sidney Peterson</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_ZGA7f7vYgxM/THRC5_AUvOI/AAAAAAAAADw/Zr8yGR1wyW4/s1600/sidney+peterson.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_ZGA7f7vYgxM/THRC5_AUvOI/AAAAAAAAADw/Zr8yGR1wyW4/s320/sidney+peterson.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/The_Lead_Shoes"&gt;WIKI&lt;/a&gt;: The Lead Shoes (1949) is an experimental or surrealist film directed by Sidney Peterson at Workshop 20 at the San Francisco Art Institute. The film was made using distorting lenses.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;On December 30, 2009, it was selected for the National Film Registry by the Library of Congress for being “culturally, historically or aesthetically” significant and will be preserved for all time.&lt;/div&gt;&lt;br /&gt;&lt;object height="360" width="480"&gt;&lt;param name="movie" value="http://www.dailymotion.com/swf/video/xe7579?additionalInfos=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;/param&gt;&lt;embed type="application/x-shockwave-flash" src="http://www.dailymotion.com/swf/video/xe7579?additionalInfos=0" width="480" height="360" allowfullscreen="true" allowscriptaccess="always"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://www.dailymotion.com/video/xe7579_the-lead-shoes-1949_shortfilms"&gt;The Lead Shoes (1949)&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;i&gt;envoyé par &lt;a href="http://www.dailymotion.com/Lost_Shangri_La_Horizon"&gt;Lost_Shangri_La_Horizon&lt;/a&gt;. - &lt;a href="http://www.dailymotion.com/fr/channel/shortfilms"&gt;Regardez des web séries et des films.&lt;/a&gt;&lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-1716838185247606621?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/1716838185247606621/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=1716838185247606621&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1716838185247606621'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1716838185247606621'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/10/lead-shoessidney-peterson.html' title='The Lead Shoes/Sidney Peterson'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZGA7f7vYgxM/THRC5_AUvOI/AAAAAAAAADw/Zr8yGR1wyW4/s72-c/sidney+peterson.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-3572442903705452188</id><published>2010-10-12T14:53:00.000-07:00</published><updated>2010-10-12T14:53:00.753-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='G.B. Jones'/><title type='text'>The lollipop generation/G.B. Jones</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_ZGA7f7vYgxM/THQ_gcYWsKI/AAAAAAAAADo/IACVEvtEPs4/s1600/lollipop.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_ZGA7f7vYgxM/THQ_gcYWsKI/AAAAAAAAADo/IACVEvtEPs4/s320/lollipop.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;WIKI: G. B. Jones is a Canadian artist, filmmaker, musician, and publisher of zines based in Toronto, Canada. Her drawings have been featured at galleries around the world, and her films screened at numerous film festivals, both in Canada and abroad.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The Lollipop Generation is an underground experimental film. "Shot on Super 8 and video, The Lollipop Generation takes these tools of the traditional home movie and uses them to make a fucked up family film." The film was made over a period of 13 years, "one Super-8 reel at a time", whenever the director could afford to buy another cartridge of film. In the end, the Toronto band Kids on TV organized a benefit so that GB Jones could finish it.&lt;/div&gt;&lt;br /&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/jeMQlzX0CbM?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/jeMQlzX0CbM?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-3572442903705452188?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/3572442903705452188/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=3572442903705452188&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3572442903705452188'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3572442903705452188'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/10/lollipop-generationgb-jones.html' title='The lollipop generation/G.B. Jones'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZGA7f7vYgxM/THQ_gcYWsKI/AAAAAAAAADo/IACVEvtEPs4/s72-c/lollipop.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-4433638934663765457</id><published>2010-10-02T14:38:00.000-07:00</published><updated>2010-10-02T14:38:00.349-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Godard'/><title type='text'>HISTOIRE(S) DU CINÉMA/Jean-Luc Godard</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_ZGA7f7vYgxM/THQ8HTv5tAI/AAAAAAAAADg/1mZp-Qvt8QA/s1600/histoires.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_ZGA7f7vYgxM/THQ8HTv5tAI/AAAAAAAAADg/1mZp-Qvt8QA/s320/histoires.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Histoire%28s%29_du_cin%C3%A9ma"&gt;WIKI&lt;/a&gt;: "The densest of Godard's films, Histoire(s) du cinéma is an examination of the history of the concept of cinema  and how it relates to the 20th century; in this sense, it can also be considered a critique of the 20th century and how it perceives itself. The project is considered the major work of the late period of Godard's career; it is alternately described as an essay and a poem."&lt;/div&gt;&lt;br /&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/oWL2qrclZrU?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/oWL2qrclZrU?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-4433638934663765457?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/4433638934663765457/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=4433638934663765457&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/4433638934663765457'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/4433638934663765457'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/10/histoires-du-cinemajean-luc-godard.html' title='HISTOIRE(S) DU CINÉMA/Jean-Luc Godard'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ZGA7f7vYgxM/THQ8HTv5tAI/AAAAAAAAADg/1mZp-Qvt8QA/s72-c/histoires.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-6916624572309212316</id><published>2010-09-22T06:46:00.000-07:00</published><updated>2010-09-22T06:46:00.771-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Shuji Terayama'/><title type='text'>Tomato Kecchappu Kôtei/ Shuji Terayama</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_ZGA7f7vYgxM/TEb6fTEo1iI/AAAAAAAAADY/V608gpY284k/s1600/bead10e609.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_ZGA7f7vYgxM/TEb6fTEo1iI/AAAAAAAAADY/V608gpY284k/s320/bead10e609.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Sh%C5%ABji_Terayama"&gt;WIKI&lt;/a&gt;: Shūji Terayama (寺山 修司, Terayama Shūji?, December 10, 1935—May 4, 1983) was an avant-garde Japanese poet, dramatist, writer, film director, and photographer. According to many critics and supporters[1], he was one of the most productive and provocative creative artists to come out of Japan. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Emperor_Tomato_Ketchup_%28film%29"&gt;&lt;br /&gt;Emperor Tomato Ketchup&lt;/a&gt;: A young boy is the emperor of a country in which children have overthrown the adults.&lt;/div&gt;&lt;br /&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/f4fNnKszqFA&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/f4fNnKszqFA&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-6916624572309212316?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/6916624572309212316/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=6916624572309212316&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6916624572309212316'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6916624572309212316'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/09/tomato-kecchappu-kotei-shuji-terayama.html' title='Tomato Kecchappu Kôtei/ Shuji Terayama'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZGA7f7vYgxM/TEb6fTEo1iI/AAAAAAAAADY/V608gpY284k/s72-c/bead10e609.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-2916688102890211011</id><published>2010-09-11T06:41:00.000-07:00</published><updated>2010-09-11T06:41:00.332-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Lloyd Kaufman'/><title type='text'>Tromeo and Juliet/ Lloyd Kaufman</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_ZGA7f7vYgxM/TEb5iAMmsGI/AAAAAAAAADQ/6rlKSWP3QfI/s1600/TR9336.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_ZGA7f7vYgxM/TEb5iAMmsGI/AAAAAAAAADQ/6rlKSWP3QfI/s320/TR9336.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Tromeo_and_Juliet"&gt;WIKI&lt;/a&gt;: Tromeo and Juliet is a 1996 independent transgressive comedy film adaptation of William Shakespeare's Romeo &amp;amp; Juliet from Troma Entertainment. The film was directed by Lloyd Kaufman and co-directed by James Gunn, who also wrote the film's screenplay.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The film is more or less a faithful adaptation of the play except with the addition of extreme amounts of Troma-esque sexuality and violence. The title of the film is a portmanteau of "Troma" and "Romeo &amp;amp; Juliet".&lt;/div&gt;&lt;br /&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/wbtsLed5twM&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/wbtsLed5twM&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-2916688102890211011?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/2916688102890211011/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=2916688102890211011&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/2916688102890211011'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/2916688102890211011'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/09/tromeo-and-juliet-lloyd-kaufman.html' title='Tromeo and Juliet/ Lloyd Kaufman'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ZGA7f7vYgxM/TEb5iAMmsGI/AAAAAAAAADQ/6rlKSWP3QfI/s72-c/TR9336.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-1094455906663405489</id><published>2010-09-02T06:32:00.000-07:00</published><updated>2010-09-02T06:32:00.276-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Kurt Kren'/><title type='text'>Sentimental Punk/ Kurt Kren</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_ZGA7f7vYgxM/TEb34gjwDlI/AAAAAAAAADI/7I8FbZsf2-U/s1600/0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_ZGA7f7vYgxM/TEb34gjwDlI/AAAAAAAAADI/7I8FbZsf2-U/s320/0.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Kurt_Kren"&gt;WIKI&lt;/a&gt;: &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Kurt Kren (September 20, 1929 - died in Vienna on June 23, 1998) was an Austrian avantgarde filmmaker. He is best known for his involvement with the Vienna Aktionists and the group of films that resulted.&lt;/div&gt;&lt;br /&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/6OEEe4QaJ-4&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/6OEEe4QaJ-4&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-1094455906663405489?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/1094455906663405489/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=1094455906663405489&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1094455906663405489'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1094455906663405489'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/09/sentimental-punk-kurt-kren.html' title='Sentimental Punk/ Kurt Kren'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ZGA7f7vYgxM/TEb34gjwDlI/AAAAAAAAADI/7I8FbZsf2-U/s72-c/0.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-5919100048628665589</id><published>2010-08-26T06:22:00.000-07:00</published><updated>2010-08-26T06:22:00.169-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Aryan Kaganof'/><category scheme='http://www.blogger.com/atom/ns#' term='Ian Kerkhof'/><title type='text'>Shabondama Elegy/ Aryan Kaganof</title><content type='html'>&lt;embed allowfullscreen="true" allowscriptaccess="always" id="VideoPlayback" src="http://video.google.com/googleplayer.swf?docid=2193776053487738448&amp;amp;hl=en&amp;amp;fs=true" style="height: 326px; width: 400px;" type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_ZGA7f7vYgxM/TEb2fJbTEtI/AAAAAAAAADA/27X00jgok-o/s1600/01541.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_ZGA7f7vYgxM/TEb2fJbTEtI/AAAAAAAAADA/27X00jgok-o/s320/01541.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Aryan_Kaganof"&gt;WIKI&lt;/a&gt;: Aryan Kaganof (born Ian Kerkhof) is a South African film maker, novelist, poet and fine artist. In 1999 he changed his name to Aryan Kaganof.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-5919100048628665589?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/5919100048628665589/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=5919100048628665589&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5919100048628665589'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5919100048628665589'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/08/shabondama-elegy-aryan-kaganof.html' title='Shabondama Elegy/ Aryan Kaganof'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZGA7f7vYgxM/TEb2fJbTEtI/AAAAAAAAADA/27X00jgok-o/s72-c/01541.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-5679673597159438189</id><published>2010-08-17T15:55:00.000-07:00</published><updated>2010-08-17T15:55:00.394-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Roland Lethem'/><title type='text'>Le sexe enragé de la fée sanguinaire/Roland Lethem</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_ZGA7f7vYgxM/TEYpqpjTh5I/AAAAAAAAAC4/tSuq3KiNAJ4/s1600/0004395_pbc_movie_pic0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_ZGA7f7vYgxM/TEYpqpjTh5I/AAAAAAAAAC4/tSuq3KiNAJ4/s320/0004395_pbc_movie_pic0.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://en.wikipedia.org/wiki/Roland_Lethem"&gt;WIKI&lt;/a&gt;: Roland Lethem (born 1942) is a Belgian filmmaker and writer.&lt;br /&gt;&lt;br /&gt;Influenced at his beginnings by Bunuel, Cocteau, the surrealists and by the Japanese cinema (Seijun Suzuki, Ishirô Honda, Koji Wakamatsu, Yoko Ono), stunned by the Festival of the film expérimental of Knokke in 1967 and by May 1968, Roland Lethem wants to push the people to look at the things of which they say they are freed, it's to say to place them in front of their responsabilities. Even if sometimes the results leaves much to be desired, the idea of each one of his films is seductive and exemplary. A fact is certain, his films are disturbing, they are sometimes unpleasant to look at.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-5679673597159438189?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/5679673597159438189/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=5679673597159438189&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5679673597159438189'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5679673597159438189'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/08/le-sexe-enrage-de-la-fee.html' title='Le sexe enragé de la fée sanguinaire/Roland Lethem'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZGA7f7vYgxM/TEYpqpjTh5I/AAAAAAAAAC4/tSuq3KiNAJ4/s72-c/0004395_pbc_movie_pic0.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-9197305100447605354</id><published>2010-08-10T15:43:00.000-07:00</published><updated>2010-08-10T15:43:00.987-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jon Moritsugu'/><title type='text'>Fame Whore/ Jon Moritsugu</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_ZGA7f7vYgxM/TEYmygBqsOI/AAAAAAAAACw/pWTKob9bbtc/s1600/51zbRH16kaL.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_ZGA7f7vYgxM/TEYmygBqsOI/AAAAAAAAACw/pWTKob9bbtc/s320/51zbRH16kaL.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/9aLVhLhkhvk&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/9aLVhLhkhvk&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.imdb.com/title/tt0126902/plotsummary"&gt;IMDb&lt;/a&gt;: This film involves three interwoven stories with the only seeming connection being the delusions of the involved leads. In the first element of the film, a hot-tempered world tennis star loses endorsement contracts when the press outs him even though he claims the report is false. In the second, a talent-less woman struggles to make it in the world of fashion design or the music video business. In the last, an animal activist runs a dog-adoption agency and has an imaginary friend who appears in a St. Bernard suit.  Written by John Sacksteder &lt;jsackste@bellsouth.net&gt; &lt;/jsackste@bellsouth.net&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-9197305100447605354?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/9197305100447605354/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=9197305100447605354&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/9197305100447605354'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/9197305100447605354'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/08/fame-whore-jon-moritsugu.html' title='Fame Whore/ Jon Moritsugu'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ZGA7f7vYgxM/TEYmygBqsOI/AAAAAAAAACw/pWTKob9bbtc/s72-c/51zbRH16kaL.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-4675277158393263443</id><published>2010-08-02T15:34:00.000-07:00</published><updated>2010-08-02T15:34:00.275-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sarah Jacobson'/><title type='text'>I Was a Teenage Serial Killer/Sarah Jacobson</title><content type='html'>&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/LLYs27TpWkQ&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/LLYs27TpWkQ&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/I_Was_a_Teenage_Serial_Killer"&gt;WIKI&lt;/a&gt;: I Was a Teenage Serial Killer is an underground no budget film written and directed by "The Queen of Underground Film", Sarah Jacobson. It is a short black and white film of a 19 year old girl who is sick of sexist men and kills them.  It was Jacobson's first film and it was released through her own company, Station Wagon Productions.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-4675277158393263443?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/4675277158393263443/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=4675277158393263443&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/4675277158393263443'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/4675277158393263443'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/08/i-was-teenage-serial-killersarah.html' title='I Was a Teenage Serial Killer/Sarah Jacobson'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-7685956352489731963</id><published>2010-07-20T15:31:00.000-07:00</published><updated>2010-07-20T15:31:25.372-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='the Kuchar Brothers'/><title type='text'>Sins of the Fleshapoids/the Kuchar Brothers</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_ZGA7f7vYgxM/TEYjFfO427I/AAAAAAAAACo/6BTZ-PZTBjQ/s1600/sinfleshapoid3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_ZGA7f7vYgxM/TEYjFfO427I/AAAAAAAAACo/6BTZ-PZTBjQ/s320/sinfleshapoid3.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/KQIyqtu7yms&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/KQIyqtu7yms&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Sins_of_the_Fleshapoids"&gt;WIKI&lt;/a&gt;: &lt;i&gt;Sins of the Fleshapoids&lt;/i&gt; is a 1965 underground film directed by Mike Kuchar. It is a low-budget, campy sci-fi movie about an android revolt a million years in the future after humans have become too lazy and selfish to take care of themselves. The film was a major influence on cult director John Waters who has said that Sins of the Fleshapoids "really shows what an underground movie was."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-7685956352489731963?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/7685956352489731963/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=7685956352489731963&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7685956352489731963'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7685956352489731963'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/07/sins-of-fleshapoidsthe-kuchar-brothers.html' title='Sins of the Fleshapoids/the Kuchar Brothers'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZGA7f7vYgxM/TEYjFfO427I/AAAAAAAAACo/6BTZ-PZTBjQ/s72-c/sinfleshapoid3.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-3016574902719790234</id><published>2010-07-10T02:22:00.000-07:00</published><updated>2010-07-10T02:22:00.299-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Georges Franju'/><title type='text'>Blood of the Beasts/Georges Franju</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_ZGA7f7vYgxM/S8Q4Y2a8r-I/AAAAAAAAACg/YOrlxLXveTw/s1600/The.Blood.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_ZGA7f7vYgxM/S8Q4Y2a8r-I/AAAAAAAAACg/YOrlxLXveTw/s320/The.Blood.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://en.wikipedia.org/wiki/Blood_of_the_Beasts"&gt;WIKI&lt;/a&gt;: "Blood of the Beasts (Le Sang des bêtes) is a 1949  short  French documentary film written and directed by Georges Franju. Blood of the Beasts was Franju's first film and is narrated by Georges Hubert  and Nicole Ladmiral. &lt;br /&gt;&lt;br /&gt;Franju's film contrasts peaceful scenes of Parisian suburbia with scenes from a slaughterhouse. The film documents the slaughtering of a horse, sheep, and calves; once the horse is stunned by a pistol, it is bled and butchered. The film is narrated without emotive language."&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/QFAUA8_mfXs&amp;hl=en_US&amp;fs=1&amp;"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/QFAUA8_mfXs&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-3016574902719790234?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/3016574902719790234/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=3016574902719790234&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3016574902719790234'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3016574902719790234'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/07/blood-of-beastsgeorges-franju.html' title='Blood of the Beasts/Georges Franju'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZGA7f7vYgxM/S8Q4Y2a8r-I/AAAAAAAAACg/YOrlxLXveTw/s72-c/The.Blood.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-8698729081903254647</id><published>2010-07-01T02:15:00.000-07:00</published><updated>2010-07-01T02:15:00.324-07:00</updated><title type='text'>Recreation/Robert Breer</title><content type='html'>&lt;a href="http://hcl.harvard.edu/hfa/films/2008marchapril/breer.html"&gt;ABOUT&lt;/a&gt;: "A founding member of the American avant-garde, Robert Breer (b. 1926)  has been working at the forefront of experimental animation for over  fifty years.&lt;br /&gt;&lt;br /&gt;Recreation&lt;br /&gt;Directed by Robert Breer, Appearing in Person&lt;br /&gt;US 1956, 16mm blow-up to 35mm, color, 2 min.&lt;br /&gt;&lt;br /&gt;Featuring a commentary by Noel Burch (in nonsense French), Recreation's rapid-fire montage of single-frame images of incredible density and intensity has been compared to contemporary Beat poetry." &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/_OFYF1WxFSs&amp;hl=en_US&amp;fs=1&amp;"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/_OFYF1WxFSs&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-8698729081903254647?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/8698729081903254647/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=8698729081903254647&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8698729081903254647'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8698729081903254647'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/07/recreationrobert-breer.html' title='Recreation/Robert Breer'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-4867112164171557553</id><published>2010-06-27T02:08:00.000-07:00</published><updated>2010-06-27T02:08:00.325-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Helen Levitt'/><title type='text'>In The Street/Helen Levitt</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_ZGA7f7vYgxM/S8Q1YH7FqHI/AAAAAAAAACY/aHku4Fax30g/s1600/helen_levitt.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_ZGA7f7vYgxM/S8Q1YH7FqHI/AAAAAAAAACY/aHku4Fax30g/s320/helen_levitt.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/In_the_Street_%28film%29"&gt;WIKI&lt;/a&gt;: "In the Street is a short 1948 silent film shot in New York City directed and edited by American  photographer Helen Levitt, assisted by novelist and critic James Agee and fellow photographer Janice Loeb. In the Street was shot with small 18mm hidden cameras and documents the grim realities of Harlem street-life, especially that of its children at play. It can be seen as a continuation of Levitt's exploration of children's street culture prevalent in her photography, but also explores the mundane life led by their working class parents."&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/2mT5i5SFQdo&amp;hl=en_US&amp;fs=1&amp;"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/2mT5i5SFQdo&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-4867112164171557553?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/4867112164171557553/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=4867112164171557553&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/4867112164171557553'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/4867112164171557553'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/06/in-streethelen-levitt.html' title='In The Street/Helen Levitt'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZGA7f7vYgxM/S8Q1YH7FqHI/AAAAAAAAACY/aHku4Fax30g/s72-c/helen_levitt.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-1201493907643418641</id><published>2010-06-20T02:01:00.000-07:00</published><updated>2010-06-20T02:01:00.218-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Willard Maas'/><title type='text'>The Geography of the Body/Willard Maas</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_ZGA7f7vYgxM/S8Qz3ZYYI3I/AAAAAAAAACQ/QTLsDtIKPCU/s1600/wm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_ZGA7f7vYgxM/S8Qz3ZYYI3I/AAAAAAAAACQ/QTLsDtIKPCU/s320/wm.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Willard_Maas"&gt;WIKI&lt;/a&gt;: Willard Maas (24 June 1906 - 2 January 1971) was an American  experimental filmmaker and poet.&lt;br /&gt;&lt;br /&gt;He was the husband of filmmaker Marie Menken. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.imdb.com/title/tt0305597/plotsummary"&gt;ABOUT&lt;/a&gt;: "A quotation from Aristophanes, "The desire and pursuit of the whole is called love," precedes views of a man and a woman's bodies, often in extreme close up. Off-screen, a voice recites fragments of oracular literature and purple prose. We see an eye, an ear, a mouth, a tongue, bits of hair, a hand, the tips of fingers, toes... "&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/UAwxKNC-RyY&amp;hl=en_US&amp;fs=1&amp;"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/UAwxKNC-RyY&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-1201493907643418641?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/1201493907643418641/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=1201493907643418641&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1201493907643418641'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1201493907643418641'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/06/geography-of-bodywillard-maas.html' title='The Geography of the Body/Willard Maas'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZGA7f7vYgxM/S8Qz3ZYYI3I/AAAAAAAAACQ/QTLsDtIKPCU/s72-c/wm.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-3954836065511248655</id><published>2010-06-16T01:54:00.000-07:00</published><updated>2010-06-16T01:54:00.264-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Marie Menken'/><title type='text'>Visual Variations on Noguchi/Marie Menken</title><content type='html'>&lt;a href="http://en.wikipedia.org/wiki/Marie_Menken"&gt;WIKI&lt;/a&gt;: Marie Menkevicius (25 May 1909 in New York City, New York – 29 December 1970) was an American experimental filmmaker and socialite.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Ik2vo0WhH8k&amp;hl=en_US&amp;fs=1&amp;"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/Ik2vo0WhH8k&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-3954836065511248655?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/3954836065511248655/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=3954836065511248655&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3954836065511248655'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3954836065511248655'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/06/visual-variations-on-noguchimarie.html' title='Visual Variations on Noguchi/Marie Menken'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-8936863998579071613</id><published>2010-06-08T02:57:00.000-07:00</published><updated>2010-06-08T02:57:00.445-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wu Ingrid Tsang'/><title type='text'>Damelo Todo (Give Me Everything)/Wu Ingrid Tsang</title><content type='html'>&lt;img src="http://sphotos.ak.fbcdn.net/hphotos-ak-ash1/hs264.ash1/19157_277542475676_180322220676_3888352_4545390_n.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/pages/Damelo-Todo-Give-Me-Everything/180322220676?ref=ts#%21/pages/Damelo-Todo-Give-Me-Everything/180322220676?v=info&amp;amp;ref=ts"&gt;ABOUT&lt;/a&gt;: "DAMELO TODO depicts the creativity and struggles of a unique community  within Los Angeles bar Silver Platter. A refuge for transgender women  who have immigrated from Mexico and Central America fleeing war,  poverty, and prejudice, the bar is a present-day Stonewall, where drag  shows meet avant-garde performance artists, giving rise to new alliances  and modes of resistance."&lt;br /&gt;&lt;br /&gt;&lt;a href="http://damelotodofilm.com/index.html"&gt;Website&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-8936863998579071613?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/8936863998579071613/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=8936863998579071613&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8936863998579071613'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8936863998579071613'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/06/damelo-todo-give-me-everythingwu-ingrid.html' title='Damelo Todo (Give Me Everything)/Wu Ingrid Tsang'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-3830643644690934406</id><published>2010-06-02T00:27:00.000-07:00</published><updated>2010-06-02T00:27:00.324-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Todd Verow'/><title type='text'>Anonymous/Todd Verow</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_ZGA7f7vYgxM/S4zMUM0Bd6I/AAAAAAAAACI/m5-Tdsrqv6U/s1600-h/anonymous.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_ZGA7f7vYgxM/S4zMUM0Bd6I/AAAAAAAAACI/m5-Tdsrqv6U/s320/anonymous.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://www.imdb.com/title/tt0377032/plotsummary"&gt;ABOUT:&lt;/a&gt; A man's sexual addiction threatens to take over his life, costing him his lover, his apartment and possibly his job. After five years, Todd escapes from his stale relationship by secretly prowling public toilets and the Internet looking for anonymous sex.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="344" src="http://www.youtube.com/v/rig-sC-QPyU&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" width="425"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-3830643644690934406?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/3830643644690934406/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=3830643644690934406&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3830643644690934406'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3830643644690934406'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/06/anonymoustodd-verow.html' title='Anonymous/Todd Verow'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZGA7f7vYgxM/S4zMUM0Bd6I/AAAAAAAAACI/m5-Tdsrqv6U/s72-c/anonymous.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-2036016772389886048</id><published>2010-05-26T15:12:00.000-07:00</published><updated>2010-05-26T15:12:00.482-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Maya Deren'/><title type='text'>Ritual in transfigured time/Maya Deren</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Maya_Deren"&gt;WIKI&lt;/a&gt;: "Maya Deren (April 29, 1917, Kiev – October 13, 1961, New York City), born Eleanora Derenkowsky, was an American avant-garde filmmaker and film theorist of the 1940s and 1950s. Deren was also a choreographer, dancer, poet, writer and photographer.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Deren was a key figure in the creation of a New American Cinema, highlighting personal, experimental, underground film."&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="344" src="http://www.youtube.com/v/xrWNXLPFz40&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" width="425"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-2036016772389886048?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/2036016772389886048/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=2036016772389886048&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/2036016772389886048'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/2036016772389886048'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/05/ritual-in-transfigured-timemaya-deren.html' title='Ritual in transfigured time/Maya Deren'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-7790730253083907399</id><published>2010-05-17T14:59:00.000-07:00</published><updated>2010-05-17T14:59:00.363-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Shana Moulton'/><title type='text'>Whispering Pines 3/Shana Moulton</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_ZGA7f7vYgxM/S4MM7Wi9nYI/AAAAAAAAACA/PpGWH4p6ajY/s1600-h/whisperingpines3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_ZGA7f7vYgxM/S4MM7Wi9nYI/AAAAAAAAACA/PpGWH4p6ajY/s320/whisperingpines3.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.eai.org/eai/artistTitles.htm?id=10320"&gt;ABOUT&lt;/a&gt;: "Shana Moulton creates evocatively oblique narratives in her video and performance works. Combining an unsettling, wry humor with a low-tech, Pop sensibility, Moulton plays a character whose interactions with the everyday world are both mundane and surreal, in a domestic sphere just slightly askew. As her protagonist navigates the enigmatic and possibly magical properties of her home decor, Moulton initiates relationships with objects and consumer products that are at once banal and uncanny."&lt;/div&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="340" src="http://www.youtube.com/v/iE0vLlaaIeQ&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" width="560"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-7790730253083907399?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/7790730253083907399/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=7790730253083907399&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7790730253083907399'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7790730253083907399'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/05/whispering-pines-3shana-moulton.html' title='Whispering Pines 3/Shana Moulton'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZGA7f7vYgxM/S4MM7Wi9nYI/AAAAAAAAACA/PpGWH4p6ajY/s72-c/whisperingpines3.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-7332393317725944459</id><published>2010-05-08T14:46:00.000-07:00</published><updated>2010-05-08T14:46:00.408-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Vito Acconci'/><title type='text'>Undertone/Vito Acconci</title><content type='html'>&lt;a href="http://www.ubu.com/film/acconci_undertone.html"&gt;ABOUT&lt;/a&gt;: "&lt;span style="color: black;"&gt;In this now infamous tape, exemplary of his early transgressive performance style, Acconci sits and relates a masturbatory fantasy about a girl rubbing his legs under the table. Carrying on a rambling dialogue that shifts back and forth between the camera/spectator and himself, Acconci sexualizes the implicit contract between performer and viewer - the viewer serving as a voyeur who makes the performance possible by watching and completing the scene, believing the fantasy."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="344" src="http://www.youtube.com/v/dZaD9CHZecE&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" width="425"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-7332393317725944459?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/7332393317725944459/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=7332393317725944459&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7332393317725944459'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7332393317725944459'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/05/undertonevito-acconci.html' title='Undertone/Vito Acconci'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-4447027340373176482</id><published>2010-04-30T14:41:00.000-07:00</published><updated>2010-04-30T14:41:00.273-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Patrick Bokanowski'/><title type='text'>L'Ange/Patrick Bokanowski</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_ZGA7f7vYgxM/S4MIiFBIu8I/AAAAAAAAAB4/WH6dTJ8o75E/s1600-h/l-ange,M26840.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_ZGA7f7vYgxM/S4MIiFBIu8I/AAAAAAAAAB4/WH6dTJ8o75E/s320/l-ange,M26840.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.lightcone.org/en/filmmaker-27-patrick-bokanowski.html"&gt;ABOUT&lt;/a&gt;: "Patrick Bokanowski. French filmmaker and artist developed a manner of treating filmic materiel that crosses over traditional boundaries of film genre : short film, experimental cinema and animation. His work lies on the edge between optical and plastic art, in a « gap » of constant reinvention."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="344" src="http://www.youtube.com/v/g8Sz3OMX3K0&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" width="425"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-4447027340373176482?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/4447027340373176482/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=4447027340373176482&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/4447027340373176482'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/4447027340373176482'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/04/langepatrick-bokanowski.html' title='L&apos;Ange/Patrick Bokanowski'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZGA7f7vYgxM/S4MIiFBIu8I/AAAAAAAAAB4/WH6dTJ8o75E/s72-c/l-ange,M26840.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-5055559858214046504</id><published>2010-04-17T14:27:00.000-07:00</published><updated>2010-04-17T14:27:00.325-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Martin Arnold'/><title type='text'>Pièce touchée/Martin Arnold</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_ZGA7f7vYgxM/S4MGX1EhPOI/AAAAAAAAABw/xcmOe0OrICk/s1600-h/2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_ZGA7f7vYgxM/S4MGX1EhPOI/AAAAAAAAABw/xcmOe0OrICk/s320/2.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Martin_Arnold"&gt;WIKI:&lt;/a&gt; "Martin Arnold (born 1959 in Vienna, Austria) is an experimental filmmaker known for his obsessive reworkings of found footage.&lt;br /&gt;&lt;br /&gt;Arnold's films are intensely cut sequences in which several seconds of found footage are taken and stretched out into much longer works. The figures on the screen flip back and forth between frames, as the motion is repeated, reversed, and numerous single frame cuts are made. His intent is to create, or possibly unearth, narratives concealed within the mundane films from which he samples."&lt;br /&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="344" src="http://www.youtube.com/v/F9JJc7TEsZI&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" width="425"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-5055559858214046504?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/5055559858214046504/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=5055559858214046504&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5055559858214046504'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5055559858214046504'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/04/piece-toucheemartin-arnold.html' title='Pièce touchée/Martin Arnold'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZGA7f7vYgxM/S4MGX1EhPOI/AAAAAAAAABw/xcmOe0OrICk/s72-c/2.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-1016263267817770067</id><published>2010-04-08T22:24:00.000-07:00</published><updated>2010-04-08T22:24:00.432-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jack Smith'/><title type='text'>Flaming Creatures/Jack Smith</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_ZGA7f7vYgxM/S1FcZ98xLEI/AAAAAAAAABo/BjWQE_Qno9Q/s1600-h/flamingcreatures_big.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_ZGA7f7vYgxM/S1FcZ98xLEI/AAAAAAAAABo/BjWQE_Qno9Q/s320/flamingcreatures_big.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Flaming_Creatures"&gt;WIKI:&lt;/a&gt; Flaming Creatures (1963) is an American experimental film by filmmaker Jack Smith. Due to its surreal, graphic depiction of sexuality, the film was seized by the police at its premiere, and was officially determined to be obscene by a New York Criminal Court. The 43-minute featurette attracted media and public attention, and has been described as a "controversial featurette". This also made Jack Smith famous as a film director across North America. Smith himself described the film as "a comedy set in a haunted music studio."&lt;br /&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="344" src="http://www.youtube.com/v/1i3IJmZEKlQ&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" width="425"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-1016263267817770067?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/1016263267817770067/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=1016263267817770067&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1016263267817770067'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1016263267817770067'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/04/flaming-creaturesjack-smith.html' title='Flaming Creatures/Jack Smith'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZGA7f7vYgxM/S1FcZ98xLEI/AAAAAAAAABo/BjWQE_Qno9Q/s72-c/flamingcreatures_big.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-7424571958541889057</id><published>2010-03-30T14:16:00.000-07:00</published><updated>2010-03-30T14:16:00.601-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Godard'/><title type='text'>JLG by JLG/Jean-Luc Godard</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_ZGA7f7vYgxM/S0-X1ZpMWgI/AAAAAAAAABQ/hV8jHM5B8GE/s1600-h/J_LG_JLG_autoportrait.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_ZGA7f7vYgxM/S0-X1ZpMWgI/AAAAAAAAABQ/hV8jHM5B8GE/s320/J_LG_JLG_autoportrait.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://www.imdb.com/title/tt0110173/"&gt;IMDb&lt;/a&gt;: "Director Jean-Luc Godard reflects in this movie about his place in film history, the interaction of film industry and film as art, as well as the act of creating art."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/1GvbetFBHvA&amp;hl=en_US&amp;fs=1&amp;"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/1GvbetFBHvA&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-7424571958541889057?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/7424571958541889057/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=7424571958541889057&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7424571958541889057'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7424571958541889057'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/03/jlg-by-jlgjean-luc-godard.html' title='JLG by JLG/Jean-Luc Godard'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ZGA7f7vYgxM/S0-X1ZpMWgI/AAAAAAAAABQ/hV8jHM5B8GE/s72-c/J_LG_JLG_autoportrait.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-5157925076309992904</id><published>2010-03-17T21:54:00.000-07:00</published><updated>2010-03-17T21:54:00.334-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Werner Nekes'/><title type='text'>Uliisses/Werner Nekes</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_ZGA7f7vYgxM/S1FaAfqHSsI/AAAAAAAAABg/21uEc7cMRhU/s1600-h/Uliisses_01.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_ZGA7f7vYgxM/S1FaAfqHSsI/AAAAAAAAABg/21uEc7cMRhU/s320/Uliisses_01.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.wernernekes.de/"&gt;ABOUT:&lt;/a&gt; Werner Nekes, born on April 29 1944 in Erfurt.&lt;br /&gt;In November 1967 Nekes comes to Hamburg with Dore 0., whom he marries the following month. Co-founder of the Filmemacher-Cooperative and of the Hamburger Filmschau. Film events in his apartment, Brüderstraße 5. Film seminars and retrospectives in various European cities... &lt;br /&gt;&lt;br /&gt;ULIISSES: 1982, 35/16 mm, color, 94 min., English/German dialogue&lt;br /&gt;"Nekes' films derive from and thrive on Art, set light, color, man and music in estranging motion and show disconcerting, stimulating possibilities for play. It is in experiments such as these that the language of film is developed." (Brigitte Jeremias, Frankfurter Allgemeine Zeitung, Oct. 14,1982)&lt;br /&gt;&lt;br /&gt;"It is not easy to animate poetry visually since the fascinating Power of the imagination is all too easily numbed by pictures. Nevertheless, Uliisses is a masterpiece." (Doris J. Heinze, Oct. 1982)&lt;br /&gt;&lt;br /&gt;&lt;img src="http://wernernekes.de/00_cms/cms/upload/Uliisses/Uliisses012.JPG" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-5157925076309992904?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/5157925076309992904/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=5157925076309992904&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5157925076309992904'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5157925076309992904'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/03/uliisseswerner-nekes.html' title='Uliisses/Werner Nekes'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZGA7f7vYgxM/S1FaAfqHSsI/AAAAAAAAABg/21uEc7cMRhU/s72-c/Uliisses_01.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-2182818200283440980</id><published>2010-03-01T21:41:00.000-08:00</published><updated>2010-03-01T21:41:00.698-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Len Lye'/><title type='text'>Free Radicals/Len Lye</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_ZGA7f7vYgxM/S1FTjzbVVnI/AAAAAAAAABY/0nsjmM3zF9Q/s1600-h/thumbnail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_ZGA7f7vYgxM/S1FTjzbVVnI/AAAAAAAAABY/0nsjmM3zF9Q/s320/thumbnail.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Len_Lye"&gt;WIKI&lt;/a&gt;: Len Lye, born Leonard Charles Huia Lye (5 July 1901, Christchurch, New Zealand - 15 May 1980, Warwick, New York), was a New Zealand-born artist known primarily for his experimental films and kinetic sculpture.&lt;br /&gt;In Free Radicals he used black film stock and scratched designs into the emulsion. The result was a dancing pattern of flashing lines and marks, as dramatic as lightning in the night sky.&lt;br /&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="344" src="http://www.youtube.com/v/sGyVYDseGc4&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" width="425"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-2182818200283440980?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/2182818200283440980/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=2182818200283440980&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/2182818200283440980'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/2182818200283440980'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/03/free-radicalslen-lye.html' title='Free Radicals/Len Lye'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZGA7f7vYgxM/S1FTjzbVVnI/AAAAAAAAABY/0nsjmM3zF9Q/s72-c/thumbnail.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-8919953974271514966</id><published>2010-02-20T00:28:00.000-08:00</published><updated>2010-02-20T00:28:00.707-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Shirley Clarke'/><title type='text'>Portrait of Jason/Shirley Clarke</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_ZGA7f7vYgxM/SyX4R_lPR4I/AAAAAAAAABI/BJ3J9ERGK8M/s1600-h/portrait_of_jason.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_ZGA7f7vYgxM/SyX4R_lPR4I/AAAAAAAAABI/BJ3J9ERGK8M/s320/portrait_of_jason.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.brightlightsfilm.com/48/jason.htm"&gt;ABOUT&lt;/a&gt;: "As a performer in his own Portrait, Jason Holiday is prodigious, altogether tireless. Despite his ironic refrain of "I'll never tell," the only evident limits on what he's willing to recount are fixed on how much anyone wants to listen. There's his years of playing Houseboy to wealthy, dysfunctional white couples on Nob Hill in San Francisco, for instance. Or his other, more durable vocation as a male trollop, a "stone whore," in his words, "balling my way from Maine to Mexico, and I ain't gotta dollar to show for it," There's his turbulent childhood as Aaron Payne, an almost militant sissy living in the same house with a father who was anything but. And, of course, there's that nightclub act. All of it is baseline raw material for the film, and he knows it."&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="344" src="http://www.youtube.com/v/Y87KWjtjua8&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" width="425"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-8919953974271514966?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/8919953974271514966/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=8919953974271514966&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8919953974271514966'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8919953974271514966'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/02/portrait-of-jasonshirley-clarke.html' title='Portrait of Jason/Shirley Clarke'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZGA7f7vYgxM/SyX4R_lPR4I/AAAAAAAAABI/BJ3J9ERGK8M/s72-c/portrait_of_jason.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-4323306639927518418</id><published>2010-02-12T15:03:00.000-08:00</published><updated>2010-02-12T15:03:00.391-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Rebecca Baron'/><title type='text'>The Idea of North/Rebecca Baron</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://hcl.harvard.edu/hfa/images/films/2007spring/baron_ideaofnorth.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 250px; height: 180px;" src="http://hcl.harvard.edu/hfa/images/films/2007spring/baron_ideaofnorth.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;In the guise of chronicling the final moments of three polar explorers marooned on an ice floe a century ago, Baron's film investigates the limitations of images and other forms of record as a means of knowing the past and the paradoxical interplay of film time, historical time, real time and the fixed moment of the photograph.&lt;/span&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;--New York Film Festival, 1997,  "Views from the Avant-Garde" program notes&lt;br /&gt;&lt;a href="http://www.vdb.org/smackn.acgi$misc?clips/IDEAOFNORT.mov"&gt;&lt;br /&gt;http://www.vdb.org/smackn.acgi$misc?clips/IDEAOFNORT.mov&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-4323306639927518418?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/4323306639927518418/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=4323306639927518418&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/4323306639927518418'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/4323306639927518418'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/02/idea-of-northrebecca-baron.html' title='The Idea of North/Rebecca Baron'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-8016797494593727589</id><published>2010-01-30T14:39:00.000-08:00</published><updated>2010-01-30T14:39:00.435-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Takahiko Iimura'/><title type='text'>Onan/Takahiko Iimura</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.dvdtalk.com/reviews/images/reviews/196/1221838868_5.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 350px; height: 263px;" src="http://www.dvdtalk.com/reviews/images/reviews/196/1221838868_5.jpg" alt="" border="0" /&gt;&lt;/a&gt;ABOUT: "Iimura is one of the pioneers of Japanese cinema and video art. He directed his first experimental films in New York during the 1960s. His work explores a variey of subjects from ecology, erotic imagery, and social critique. In the 1970s he began working with video. In the 1990s he discovered the domain of multimedia and created interactive art where the visitor can become an integral part of the installation."&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=3osBbn5bo4Q"&gt;www.youtube.com/watch?v=3osBbn5bo4Q&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-8016797494593727589?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/8016797494593727589/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=8016797494593727589&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8016797494593727589'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8016797494593727589'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/01/onantakahiko-iimura.html' title='Onan/Takahiko Iimura'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-3763699924712747313</id><published>2010-01-21T06:38:00.000-08:00</published><updated>2010-01-21T06:38:00.724-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Fernand Léger'/><title type='text'>Ballet Mécanique/Fernand Léger</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://radiomentale.files.wordpress.com/2008/12/ballet_mecanique.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 360px; height: 423px;" src="http://radiomentale.files.wordpress.com/2008/12/ballet_mecanique.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;WIKI: "Ballet Mécanique (1924) was a project by the American composer George Antheil and the filmmaker/artist Fernand Léger. Although the film was intended to use Antheil's score as a soundtrack, the two parts were not brought together until the 1990s. As a composition, Ballet Mécanique is Antheil's best known and most enduring work. It remains famous for its radical style and instrumentation as well as its storied history."&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/2QH2xGuftkE&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/2QH2xGuftkE&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-3763699924712747313?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/3763699924712747313/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=3763699924712747313&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3763699924712747313'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3763699924712747313'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/01/ballet-mecaniquefernand-leger.html' title='Ballet Mécanique/Fernand Léger'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-8981649348141342427</id><published>2010-01-10T06:57:00.000-08:00</published><updated>2010-01-10T06:57:00.334-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Julie Delpy'/><title type='text'>Looking for Jimmy/Julie Delpy</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://medias.fluctuat.net/films-posters/8/4/845/looking-for-jimmy/affiche-1-medium.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 280px;" src="http://medias.fluctuat.net/films-posters/8/4/845/looking-for-jimmy/affiche-1-medium.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Synopsis: "Julie Delpy describes her directing debut, LOOKING FOR JIMMY, as "more of an experiment than an actual film." Shot on digital video, at a cost of about $3000, it was shot over a 24-hour period in Los Angeles, stopping the camera only to change the tape. It's a freewheeling excursion through contemporary Los Angeles."&lt;br /&gt;&lt;br /&gt;&lt;div id="allocine_blog" style="width: 420px; height: 335px;"&gt;&lt;object height="100%" width="100%"&gt;&lt;param name="movie" value="http://www.allocine.fr/blogvision/18673066"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;embed src="http://www.allocine.fr/blogvision/18673066" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" height="100%" width="100%"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;a style="font-size: 10px; font-family: Arial;" target="_blank" href="http://www.allocine.fr/film/fichefilm_gen_cfilm=46896.html"&gt;Plus d'infos sur ce film&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-8981649348141342427?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/8981649348141342427/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=8981649348141342427&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8981649348141342427'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8981649348141342427'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/01/looking-for-jimmyjulie-delpy.html' title='Looking for Jimmy/Julie Delpy'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-5677353686506678670</id><published>2010-01-03T06:44:00.000-08:00</published><updated>2010-01-03T06:44:00.312-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Chris Marker'/><title type='text'>La jetée/Chris Marker</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.arpla.fr/canal20/eadnm/wp-content/uploads/2008/01/lajetee.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 300px; height: 392px;" src="http://www.arpla.fr/canal20/eadnm/wp-content/uploads/2008/01/lajetee.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;WIKI: "La jetée (English: The Jetty or The Pier) (1962) is a 28-minute black and white science fiction film by Chris Marker. Constructed almost entirely from still photos, it tells the story of a post-nuclear war experiment in time travel."&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/v-j-nnWnDFE&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/v-j-nnWnDFE&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-5677353686506678670?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/5677353686506678670/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=5677353686506678670&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5677353686506678670'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5677353686506678670'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2010/01/la-jeteechris-marker.html' title='La jetée/Chris Marker'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-1568017268806867802</id><published>2009-12-28T06:49:00.000-08:00</published><updated>2009-12-28T06:49:00.227-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jonas Mekas'/><title type='text'>365 Day Project/Jonas Mekas</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://69.89.31.220/%7Etilzytv/wp-content/uploads/jonasmekas.png"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 652px; height: 436px;" src="http://69.89.31.220/%7Etilzytv/wp-content/uploads/jonasmekas.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;WIKI: "Jonas Mekas born December 24, 1922 in the village of Semeniškiai, near Biržai) is a Lithuanian filmmaker, writer, and curator who has often been called "the godfather of American avant-garde cinema. His work has been exhibited in museums and festivals across Europe and America.&lt;br /&gt;Beginning in the fall of 2006, Mekas planned to film 365 short videos for Apple Computer's Video iPod, releasing one a day on his website."&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/YwGqHLVKiMo&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/YwGqHLVKiMo&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-1568017268806867802?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/1568017268806867802/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=1568017268806867802&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1568017268806867802'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1568017268806867802'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/12/365-day-projectjonas-mekas.html' title='365 Day Project/Jonas Mekas'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-6259072501290123788</id><published>2009-12-18T06:33:00.000-08:00</published><updated>2009-12-18T06:33:00.309-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Marcel Duchamp'/><title type='text'>Anemic Cinema/Marcel Duchamp</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.cestdanslavallee.com/IMG/jpg_HYPNOTIK_duchamp_anemic-cinema_01-2.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 600px; height: 898px;" src="http://www.cestdanslavallee.com/IMG/jpg_HYPNOTIK_duchamp_anemic-cinema_01-2.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;WIKI/ "Anemic Cinema or Anémic Cinéma (1926) is a Dadaist, surrealist, or experimental film made by Marcel Duchamp. The film depicts whirling animated drawings -- which Duchamp called Rotoreliefs -- alternated with puns in French. Duchamp signed the film with his alter ego name of Rrose Sélavy."&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/dXINTf8kXCc&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/dXINTf8kXCc&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-6259072501290123788?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/6259072501290123788/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=6259072501290123788&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6259072501290123788'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6259072501290123788'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/12/anemic-cinemamarcel-duchamp.html' title='Anemic Cinema/Marcel Duchamp'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-8335780906012119468</id><published>2009-12-13T06:27:00.000-08:00</published><updated>2009-12-13T06:27:00.682-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Dario Argento'/><title type='text'>Inferno/Dario Argento</title><content type='html'>&lt;a href="http://www.darioargentoproject.com/argento/dvd/inferno.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" src="http://www.darioargentoproject.com/argento/dvd/inferno.jpg" style="cursor: pointer; display: block; height: 475px; margin: 0px auto 10px; text-align: center; width: 329px;" /&gt;&lt;/a&gt;&lt;br /&gt;WIKI: "Inferno is a 1980 Italian supernatural horror film written and directed by Dario Argento. The convoluted story concerns a young man's investigation into the disappearance of his sister, who had been living in a New York City apartment building that also served as a home for a powerful, centuries-old witch."&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/p_wOOMdW5o0&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/p_wOOMdW5o0&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-8335780906012119468?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/8335780906012119468/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=8335780906012119468&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8335780906012119468'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8335780906012119468'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/12/infernodario-argento.html' title='Inferno/Dario Argento'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-7790969975684872825</id><published>2009-11-30T06:21:00.000-08:00</published><updated>2009-11-30T06:21:00.938-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Yoshishige Yoshida'/><title type='text'>Eros+Massacre/Yoshishige Yoshida</title><content type='html'>&lt;a href="http://movingimagesource.us/images/articles/eros_massacre_affiche_2-20081230-105324-medium.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" src="http://movingimagesource.us/images/articles/eros_massacre_affiche_2-20081230-105324-medium.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 421px;" /&gt;&lt;/a&gt;&lt;br /&gt;WIKI: "Eros + Massacre (エロス＋虐殺, Erosu purasu Gyakusatsu) is a Japanese black and white film released in 1969. It was directed by Yoshishige Yoshida, who wrote it in cooperation with Masahiro Yamada.&lt;br /&gt;&lt;br /&gt;The film is a biography of anarchist Sakae Ōsugi, assassinated by the Japanese military in 1923. The story tells of his relationship with three women."&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/YN7kQMK-z9s&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/YN7kQMK-z9s&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-7790969975684872825?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/7790969975684872825/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=7790969975684872825&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7790969975684872825'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7790969975684872825'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/11/erosmassacreyoshishige-yoshida.html' title='Eros+Massacre/Yoshishige Yoshida'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-159012899369795667</id><published>2009-11-24T14:35:00.000-08:00</published><updated>2009-11-24T14:35:00.168-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ken Jacobs'/><title type='text'>Celestial Subway Lines/Ken Jacobs</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://farm1.static.flickr.com/229/493282386_4ac50d37b2.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 500px; height: 373px;" src="http://farm1.static.flickr.com/229/493282386_4ac50d37b2.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span&gt;&lt;br /&gt;"released on tzadik 2004(www.tzadik.com)&lt;br /&gt;the nervous magic lantern is a late optical invention, technically possible long before film or even photography, for projection of images that move through impossible changes in a vast illusionary depth, visible to even a single eye.&lt;br /&gt;music: john zorn(&amp;amp;ikue mori) "&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Lgcv5iPmG84&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/Lgcv5iPmG84&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-159012899369795667?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/159012899369795667/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=159012899369795667&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/159012899369795667'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/159012899369795667'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/11/celestial-subway-linesken-jacobs.html' title='Celestial Subway Lines/Ken Jacobs'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm1.static.flickr.com/229/493282386_4ac50d37b2_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-6704469280618970639</id><published>2009-11-18T18:14:00.000-08:00</published><updated>2009-11-18T18:14:00.415-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Isaac Julien'/><title type='text'>Looking for Langston/Isaac Julien</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://accel10.mettre-put-idata.over-blog.com/193x340/0/05/17/99/voir/looking-for-langston-photo-du-film-de-isaac-julien.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 193px; height: 340px;" src="http://accel10.mettre-put-idata.over-blog.com/193x340/0/05/17/99/voir/looking-for-langston-photo-du-film-de-isaac-julien.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;WIKI: "Produced in 1989, the film is presented in black and white combining authentic archival newsreel footage of Harlem in the 1920s with scripted scenes to produce a non-linear impressionistic story line celebrating black gay identity and desire during the artistic and cultural period known as the Harlem Renaissance in New York."&lt;br /&gt;&lt;br /&gt;&lt;img style="visibility: hidden; width: 0px; height: 0px;" src="http://counters.gigya.com/wildfire/IMP/CXNID=2000002.0NXC/bT*xJmx*PTEyNDg5MTY2MTUxNzQmcHQ9MTI*ODkxNjYyMDk3OSZwPTU1MDgxJmQ9Jmc9MSZvPWU1OWY1MjUwN2IzYTRhYTg5NDRhYzM*ZmNiYmIxZTQ2Jm9mPTA=.gif" border="0" height="0" width="0" /&gt;&lt;embed src="http://www.videodetective.net/flash/players/movieapi/?publishedid=881538" allowfullscreen="true" allowscriptaccess="always" height="260" width="320"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-6704469280618970639?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/6704469280618970639/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=6704469280618970639&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6704469280618970639'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6704469280618970639'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/11/looking-for-langstonisaac-julien.html' title='Looking for Langston/Isaac Julien'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-2237998243768536157</id><published>2009-11-10T16:48:00.000-08:00</published><updated>2009-11-10T16:48:38.724-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Alain Cavalier'/><title type='text'>Irène/Alain Cavalier</title><content type='html'>&lt;embed src="http://www.dailymotion.com/swf/xat0ay&amp;related=0" type="application/x-shockwave-flash" width="480" height="378" allowfullscreen="true" allowscriptaccess="always"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.fest21.com/en/blog/cannes/un_certain_regard_irene_by_alain_cavalier"&gt;ABOUT&lt;/a&gt;: "Small digital camera in hand, Cavalier dives into the memories he set down in his diaries from the early 1970s, in search of the essence of Irène, the love of his life, who was killed in a car crash… &lt;br /&gt;"She's at the door," Alain Cavalier confesses. "For years, I’ve heard her, knocking gently. Why has it taken me so long to open the door to her? Am I afraid of the claims she might make? Afraid of some kind of confession? Am I unwilling to shine a light into the dark corners? One thing I know: she stands there, alive, stands before me, steers my hand. I am trying to go beyond where we left off – only yesterday.."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-2237998243768536157?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/2237998243768536157/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=2237998243768536157&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/2237998243768536157'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/2237998243768536157'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/11/irenealain-cavalier.html' title='Irène/Alain Cavalier'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-5271618826604096376</id><published>2009-11-01T14:30:00.000-08:00</published><updated>2009-11-01T14:30:00.948-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Carl Theodor Dreyer'/><title type='text'>Vampyr/Carl Theodor Dreyer</title><content type='html'>&lt;a href="http://www.seanax.com/wp-content/uploads/2008/07/vampyr1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" src="http://www.seanax.com/wp-content/uploads/2008/07/vampyr1.jpg" style="cursor: pointer; display: block; height: 392px; margin: 0px auto 10px; text-align: center; width: 518px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;WIKI: "Vampyr is a 1932 horror film directed by Danish director Carl Theodor Dreyer. The film was written by Dreyer and Christen Jul based on elements from J. Sheridan Le Fanu's In a Glass Darkly. Vampyr was funded by Nicolas de Gunzburg who starred in the film under the name of Julian West among a mostly non-professional cast. Gunzberg plays the role of Allan Grey, a student of the occult who enters a small village outside of Paris which is cursed by supernatural creatures known as Vampyrs who lure townspeople to suicide so they can become servants for the devil."&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/7axu6BPmeaI&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/7axu6BPmeaI&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-5271618826604096376?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/5271618826604096376/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=5271618826604096376&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5271618826604096376'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5271618826604096376'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/11/vampyrcarl-theodor-dreyer.html' title='Vampyr/Carl Theodor Dreyer'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-5633432947526474265</id><published>2009-10-24T14:22:00.000-07:00</published><updated>2009-10-24T14:22:00.380-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Virginie Marchand'/><title type='text'>Like a virgin, relax/Virginie Marchand</title><content type='html'>"A little trip to Goa, India, to escape bad stuff and return to the sea,          the waves, the sacred cows, under the sun, sometimes the rain."&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/lrnl9w_6hc8&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/lrnl9w_6hc8&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-5633432947526474265?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/5633432947526474265/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=5633432947526474265&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5633432947526474265'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5633432947526474265'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/10/like-virgin-relaxvirginie-marchand.html' title='Like a virgin, relax/Virginie Marchand'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-4030870749715683143</id><published>2009-10-12T06:16:00.000-07:00</published><updated>2009-10-12T06:16:00.065-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Johnny Terris'/><title type='text'>Sordid/Johnny Terris</title><content type='html'>ABOUT: "Canadian filmmaker and actor Johnny Terris started out doing short films in the late 80’s and early 90’s in Canada. Starting at the age of 14 and leaving home at 16 years of age his films viciously delved into trailer park comedy that centered on a comedic annihilation of family values and structure.&lt;br /&gt;In 2005, he released Sordid; a grotesque experimental horror journey through death and rebirth which sold out the first 200 copies within a 24 hour period."&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/5EZyG2J_2do&amp;hl=en&amp;fs=1&amp;"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/5EZyG2J_2do&amp;hl=en&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-4030870749715683143?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/4030870749715683143/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=4030870749715683143&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/4030870749715683143'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/4030870749715683143'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/10/sordidjohnny-terris.html' title='Sordid/Johnny Terris'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-1396549171751267448</id><published>2009-10-05T14:12:00.000-07:00</published><updated>2009-10-05T14:12:00.534-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ernie Gehr'/><title type='text'>Serene Velocity/Ernie Gehr</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img47.exs.cx/img47/7164/bscap0342lv.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 528px; height: 400px;" src="http://img47.exs.cx/img47/7164/bscap0342lv.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Imdb: "Ernie Gehr's structuralist masterpiece SERENE VELOCITY is a hypnotic film which is nothing more than a rapidly edited, rhythmic piece consisting of two shots of an office hallway (one long shot, one zoomed-in close up)."&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/KYfNFtLSuv4&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/KYfNFtLSuv4&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-1396549171751267448?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/1396549171751267448/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=1396549171751267448&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1396549171751267448'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1396549171751267448'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/10/serene-velocityernie-gehr.html' title='Serene Velocity/Ernie Gehr'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-1170618592550642358</id><published>2009-09-29T14:07:00.000-07:00</published><updated>2009-10-04T19:50:24.156-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Bruce Baillie'/><title type='text'>Mr Hayashi/Bruce Baillie</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img175.imageshack.us/img175/3566/bscap0004fa5.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 512px; height: 384px;" src="http://img175.imageshack.us/img175/3566/bscap0004fa5.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;ABOUT: "Bruce Baillie's innovative films grab the viewer with eloquent and rich imagery as well as a heartfelt humanism and concern for his subjects expressed through a lyrical sensibility.&lt;br /&gt;The natural and intimate pictorial handling of Mr. Hayashi is characteristic of all of Baillie's work, especially the deeply moving Mass for the Dakota Sioux (1963-1964)."&lt;div&gt;&lt;br /&gt;&lt;embed src="http://www.dailymotion.com/swf/xqltf&amp;related=0" type="application/x-shockwave-flash" width="480" height="365" allowfullscreen="true" allowscriptaccess="always"&gt;&lt;/embed&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-1170618592550642358?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/1170618592550642358/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=1170618592550642358&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1170618592550642358'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1170618592550642358'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/09/mr-hayashibruce-baillie.html' title='Mr Hayashi/Bruce Baillie'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-2737748056155306537</id><published>2009-09-23T09:06:00.000-07:00</published><updated>2009-09-23T09:06:50.353-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Steve McQueen'/><title type='text'>Giardini/Steve McQueen</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_ZGA7f7vYgxM/SrpHPtHzdSI/AAAAAAAAABA/i9gOKP_jfhA/s1600-h/steve_mcqueen_installation1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_ZGA7f7vYgxM/SrpHPtHzdSI/AAAAAAAAABA/i9gOKP_jfhA/s320/steve_mcqueen_installation1.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.guardian.co.uk/artanddesign/2009/jun/04/venice-biennale-steve-mcqueen"&gt;The Guardian's review&lt;/a&gt;:&lt;br /&gt;""Turner," said &lt;a href="http://www.guardian.co.uk/artanddesign/steve-mcqueen"&gt;Steve McQueen&lt;/a&gt; at yesterday's opening of the &lt;a href="http://www.guardian.co.uk/artanddesign/venice-biennale"&gt;Venice Biennale&lt;/a&gt;, "does not own sunsets, and he doesn't own Venetian sunsets." And so it is that the London-born artist, who this year represents the UK at the world's most important and unashamedly flamboyant art event, has dared to make a romantic, lyrical, melancholic film that shows Venice hazed through mists and sunsets, dripped in wintry rain.&lt;br /&gt;It ought to be a cliche, but it is not, for the Venice of McQueen's minutely observed 40-minute film is not the Venice of St Mark's Square or humpbacked bridges over picturesque canals. His Venice is the Venice of the Giardini, the city's municipal gardens. In this park stand the pavilions, each devoted to a different nation, that are filled with art every other year during the Biennale – where, in the summer, art world types air-kiss and gossip. But McQueen's film was shot in the dim light of February, after the art from the last Biennale had long gone, the pavilions were boarded up and piles of rubbish lay scattered over the lawns and paths.&lt;br /&gt;The plangent film, called Giardini, is already causing a stir at Venice as one of the most talked about of the 77 national offerings for the festival, which opens to the public on Sunday."&lt;br /&gt;&lt;br /&gt;&lt;object width="560" height="340"&gt;&lt;param name="movie" value="http://www.youtube.com/v/eJwbjG0HbnE&amp;hl=en&amp;fs=1&amp;"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/eJwbjG0HbnE&amp;hl=en&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-2737748056155306537?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/2737748056155306537/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=2737748056155306537&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/2737748056155306537'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/2737748056155306537'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/09/giardinisteve-mcqueen.html' title='Giardini/Steve McQueen'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZGA7f7vYgxM/SrpHPtHzdSI/AAAAAAAAABA/i9gOKP_jfhA/s72-c/steve_mcqueen_installation1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-5142348544103084249</id><published>2009-09-16T14:02:00.000-07:00</published><updated>2009-09-16T14:02:00.257-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Peter Sempel'/><title type='text'>Seele Brennt (Soul is Burning)/Peter Sempel</title><content type='html'>&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Ou6kN-XUh_U&amp;hl=en&amp;fs=1&amp;"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/Ou6kN-XUh_U&amp;hl=en&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-5142348544103084249?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/5142348544103084249/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=5142348544103084249&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5142348544103084249'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5142348544103084249'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/09/seele-brennt-soul-is-burningpeter.html' title='Seele Brennt (Soul is Burning)/Peter Sempel'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-8808923862510522251</id><published>2009-09-04T06:09:00.000-07:00</published><updated>2009-09-04T06:09:00.269-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sophie Calle'/><title type='text'>no sex last night/Sophie Calle</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.exibart.com/profilo/imgpost/rev/203/rev43203%281%29-ori.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 321px; height: 425px;" src="http://www.exibart.com/profilo/imgpost/rev/203/rev43203%281%29-ori.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;WIKI: "In 1996, Calle released a film titled No Sex Last Night which she created in collaboration with American photographer Gregory Shephard. The film documents their road trip across America, which ends in a wedding chapel in Las Vegas. Rather than following the genre conventions of a road trip or a romance, the film is designed to document the result of a man and woman who barely knew each other, embarking on an intimate journey together."&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/ERpsafYRrlE&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/ERpsafYRrlE&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-8808923862510522251?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/8808923862510522251/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=8808923862510522251&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8808923862510522251'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8808923862510522251'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/09/no-sex-last-nightsophie-calle.html' title='no sex last night/Sophie Calle'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-2924894153739806698</id><published>2009-08-24T08:57:00.000-07:00</published><updated>2009-08-24T08:57:00.258-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Hans Richter'/><title type='text'>Rythmus 21/Hans Richter</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.youtube.com/vi/QEgULqLn5iU/0.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 300px; height: 240px;" src="http://img.youtube.com/vi/QEgULqLn5iU/0.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;ABOUT: "Rhythmus 21 is Hans Richter’s first film…Richter went on to make Rhythmus 23 (1923)…and Rhythmus 25 (1925). In this first of the series, originally known as Film ist Rhythmus, he experiments with square forms. These forms appear in very simple to very complex compositions-from the beginning shots where the squares with the frame. The effect is a subversion of the cinematic illusion of depth."&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/uhv2KpQGMqY&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/uhv2KpQGMqY&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-2924894153739806698?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/2924894153739806698/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=2924894153739806698&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/2924894153739806698'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/2924894153739806698'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/08/rythmus-21hans-richter.html' title='Rythmus 21/Hans Richter'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-593095535596013795</id><published>2009-08-09T08:52:00.000-07:00</published><updated>2009-08-09T08:52:00.130-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Bruce Nauman'/><title type='text'>Live-taped Video Corridor/Bruce Nauman</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.mediaartnet.org/assets/img/data/2024/bild.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 256px; height: 360px;" src="http://www.mediaartnet.org/assets/img/data/2024/bild.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"Nauman set two monitors above one another at the end of a corridor almost ten meters long and only 50 cm wide. The lower monitor features a videotape of the corridor. The uppermost monitor shows a closed-circuit tape recording of a camera at the entrance to the corridor, positioned at a height of about three meters. On entering the corridor and approaching the monitors, you quickly come under the area surveyed by the camera. But the closer you get to the monitor, the further you are from the camera, with the result that your image on the monitor becomes increasingly smaller. Another cause of irritation: you see yourself from behind. Moreover, the feeling of alienation induced by walking away from yourself is heightened by your being enclosed in a narrow corridor. Here, rational orientation and emotional insecurity clash with each other. A person thus monitored suddenly slips into the role of someone monitoring their own activities.&lt;br /&gt;&lt;br /&gt;(source: Dörte Zbikowski, in: Thomas Y. Levin (ed.), CTRL[SPACE]. rhetorics of surveillance from Bentham to big brother, ZKM | Center for Art and Media, Karlsruhe 2001)"&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/9IrqXiqgQBo&amp;hl=en&amp;fs=1&amp;"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/9IrqXiqgQBo&amp;hl=en&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-593095535596013795?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/593095535596013795/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=593095535596013795&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/593095535596013795'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/593095535596013795'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/08/live-taped-video-corridorbruce-nauman.html' title='Live-taped Video Corridor/Bruce Nauman'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-4113423930220105541</id><published>2009-08-02T18:02:00.000-07:00</published><updated>2009-08-02T18:02:00.653-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Derek Jarman'/><title type='text'>Art of Mirrors/Derek Jarman</title><content type='html'>WIKI: "Jarman's first films were experimental super 8 mm shorts, a form he never entirely abandoned, and later developed further in his films Imagining October (1984), The Angelic Conversation (1985), The Last of England (1987) and The Garden (1990) as a parallel to his narrative work."&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;object height="341" width="480"&gt;&lt;param name="movie" value="http://www.dailymotion.com/swf/x1idkh_derek-jarman-art-of-mirrors_shortfilms&amp;amp;related=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;embed src="http://www.dailymotion.com/swf/x1idkh_derek-jarman-art-of-mirrors_shortfilms&amp;amp;related=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" height="341" width="480"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://www.dailymotion.com/video/x1idkh_derek-jarman-art-of-mirrors_shortfilms"&gt;Derek Jarman - Art of Mirrors&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;a href="http://www.dailymotion.com/fr/channel/shortfilms"&gt;&lt;/a&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-4113423930220105541?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/4113423930220105541/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=4113423930220105541&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/4113423930220105541'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/4113423930220105541'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/08/art-of-mirrorsderek-jarman.html' title='Art of Mirrors/Derek Jarman'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-6417145174530260551</id><published>2009-07-28T07:13:00.000-07:00</published><updated>2009-07-29T08:44:21.211-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Andy Warhol'/><title type='text'>Blowjob/Andy Warhol</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.qag.qld.gov.au/?a=47963:v2"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 600px;" src="http://www.qag.qld.gov.au/?a=47963:v2" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://www.warholstars.org/chron/1964.html#63blow"&gt;ABOUT&lt;/a&gt;: "The first public screening of &lt;b&gt;BLOW JOB &lt;/b&gt;took place at Ruth Kligman's      Washington Square Gallery in March 1964.&lt;br /&gt;The person getting the blow job in Andy Warhol's film of the same name was DeVerne Bookwalter who had earlier appeared in the Shakespeare in the Park production of &lt;i&gt;Macbeth&lt;/i&gt; in the summer of 1963. "&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/l-0xDa4-fi0&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/l-0xDa4-fi0&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-6417145174530260551?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/6417145174530260551/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=6417145174530260551&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6417145174530260551'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6417145174530260551'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2008/11/blowjobandy-warhol.html' title='Blowjob/Andy Warhol'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-3475735925499274424</id><published>2009-07-16T05:44:00.000-07:00</published><updated>2009-07-29T17:43:02.361-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Pipilotti Rist'/><title type='text'>Pipilotti Rist</title><content type='html'>WIKI: "Elisabeth Charlotte Rist was born in 1962 in Grabs, Sankt Gallen, in Switzerland. Since her childhood she has been nicknamed Pipilotti. The name refers to the novel Pippi Longstocking by Astrid Lindgren.&lt;br /&gt;&lt;br /&gt;Her works generally last only a few minutes, and contained alterations in their colors, speed, and sound. Her works generally treat issues related to gender, sexuality, and the human body.&lt;br /&gt;&lt;br /&gt;In contrast to those of many other conceptual artists, her colorful and musical works transmit a sense of happiness and simplicity. Rist's work is regarded as feminist by some art critics."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/CsC8FKNE8fg&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/CsC8FKNE8fg&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-3475735925499274424?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/3475735925499274424/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=3475735925499274424&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3475735925499274424'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3475735925499274424'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2008/08/pipilotti-rist.html' title='Pipilotti Rist'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-7647532699630991935</id><published>2009-07-10T06:17:00.000-07:00</published><updated>2009-07-29T17:45:38.530-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Matthew Barney'/><title type='text'>Hoist/Matthew Barney</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.studio-international.co.uk/studio-images/destricted/Hoist2_b.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 500px; height: 333px;" src="http://www.studio-international.co.uk/studio-images/destricted/Hoist2_b.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;SYNOPSIS: "Hoist was shot in Bahia, Salvador as one facet of a longer film titled DE LAMA LÂMINA. Hoist is the literal underbelly of that project: a non-site through which the history, ritual, mythology, and deities invoked in DE LAMA LÂMINA have been refracted and processed. It is a film about the meeting of chthonic libidinal energy and the destructive forces of technology."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="360px" width="425px"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;param name="movie" value="http://mediaservices.myspace.com/services/media/embed.aspx/m=7756628,t=1,mt=video"&gt;&lt;embed src="http://mediaservices.myspace.com/services/media/embed.aspx/m=7756628,t=1,mt=video" allowfullscreen="true" type="application/x-shockwave-flash" wmode="transparent" height="360" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-7647532699630991935?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/7647532699630991935/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=7647532699630991935&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7647532699630991935'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7647532699630991935'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2008/09/hoistmatthew-barney.html' title='Hoist/Matthew Barney'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-5482607391754215798</id><published>2009-07-05T08:40:00.000-07:00</published><updated>2009-07-29T08:44:07.724-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Marguerite Duras'/><title type='text'>Nathalie Granger/Marguerite Duras</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.dissidenz.com/Images/Upload/Films/flFl_Illustration_21125.gif"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 333px; height: 214px;" src="http://www.dissidenz.com/Images/Upload/Films/flFl_Illustration_21125.gif" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://movies.nytimes.com/movie/review?res=9E05E4DD1631E63BBC4F53DFB6678389669EDE"&gt;REVIEW&lt;/a&gt;: "the camera records the physical appearance of two expressionless women who look a lot like Jeanne Moreau and Lucia Bose. They share a house with their two children, one of whom, Nathalie, is apparently a problem. "She wants to kill everyone," says one of the women, who seem to be interchangeable. "She wants to be an orphan, or a Portuguese maid." &lt;p&gt;Nathalie, however, remains docile—this being a minimal movie."&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/o542YKTrnZg&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/o542YKTrnZg&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-5482607391754215798?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/5482607391754215798/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=5482607391754215798&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5482607391754215798'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/5482607391754215798'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/07/nathalie-grangermarguerite-duras.html' title='Nathalie Granger/Marguerite Duras'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-8615227715977301945</id><published>2009-06-30T07:49:00.000-07:00</published><updated>2010-08-24T21:20:20.783-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Claude Pérès'/><title type='text'>Missed/Claude Pérès</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_ZGA7f7vYgxM/SnIb9_YDYfI/AAAAAAAAAA4/iJ-Bsg_3a-s/s1600-h/missed+pics.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5364380857949970930" src="http://3.bp.blogspot.com/_ZGA7f7vYgxM/SnIb9_YDYfI/AAAAAAAAAA4/iJ-Bsg_3a-s/s400/missed+pics.jpg" style="cursor: pointer; display: block; height: 400px; margin: 0px auto 10px; text-align: center; width: 282px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.unfaithful-themovie.com/"&gt;ABOUT&lt;/a&gt;: "Claude Pérès refuses to give any biographic information, thinking what ought to be known is in his work.&lt;br /&gt;To the question:"What do you do for a living?" He will answer: "I write stuff, I film stuff".&lt;br /&gt;He directed his first feature &lt;a href="http://www.unfaithful-themovie.com/" style="font-style: italic;"&gt;Unfaithful&lt;/a&gt; feat Marcel Schlutt, music by Lydia Lunch."&lt;br /&gt;&lt;a href="http://www.claudeperes.com/"&gt;www.claudeperes.com &lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.imdb.com/name/nm3647768/filmotype"&gt;imdb&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://vids.myspace.com/index.cfm?fuseaction=vids.individual&amp;amp;videoid=3608169"&gt;Manqué (Missed)&lt;/a&gt;&lt;br /&gt;&lt;object height="360px" width="425px"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;param name="movie" value="http://mediaservices.myspace.com/services/media/embed.aspx/m=3608169,t=1,mt=video"&gt;&lt;embed src="http://mediaservices.myspace.com/services/media/embed.aspx/m=3608169,t=1,mt=video" allowfullscreen="true" type="application/x-shockwave-flash" wmode="transparent" width="425" height="360"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-8615227715977301945?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/8615227715977301945/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=8615227715977301945&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8615227715977301945'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/8615227715977301945'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2008/12/missedclaude-peres.html' title='Missed/Claude Pérès'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ZGA7f7vYgxM/SnIb9_YDYfI/AAAAAAAAAA4/iJ-Bsg_3a-s/s72-c/missed+pics.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-3825560029118077652</id><published>2009-06-22T07:47:00.000-07:00</published><updated>2009-07-29T08:15:50.505-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Michael Snow'/><title type='text'>Wavelength/Michael Snow</title><content type='html'>WIKI: "&lt;i&gt;&lt;b&gt;Wavelength&lt;/b&gt;&lt;/i&gt; is a short, forty-five minute film that made the reputation of Canadian  and artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967"&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/gFxzYkUdR3Y&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/gFxzYkUdR3Y&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-3825560029118077652?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/3825560029118077652/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=3825560029118077652&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3825560029118077652'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3825560029118077652'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2008/12/wavelengthmichael-snow.html' title='Wavelength/Michael Snow'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-7842853835466528519</id><published>2009-06-17T05:47:00.000-07:00</published><updated>2009-07-29T17:43:38.024-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Šarūnas Bartas'/><title type='text'>The House/Šarūnas Bartas</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.ozap.com/00801262-photo-affiche-the-house.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 450px; height: 550px;" src="http://img.ozap.com/00801262-photo-affiche-the-house.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Šarūnas Bartas&lt;/b&gt;  is a Lithuanian film director. One of the most prominent Lithuanian film directors internationally from the late 20th century.&lt;br /&gt;&lt;br /&gt;ABOUT: "A dreamy, silken parable of the fate of late twentieth-century Europe, The House is an almost entirely wordless exploration of a single space: an imposing country manor by a lake that may possibly be the fantasy of one of the many diverse and melancholic inhabitants we encounter there..."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Se21qssHAag&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/Se21qssHAag&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-7842853835466528519?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/7842853835466528519/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=7842853835466528519&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7842853835466528519'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/7842853835466528519'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2008/08/housesarunas-bartas.html' title='The House/Šarūnas Bartas'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-6645764472868809465</id><published>2009-06-12T06:51:00.000-07:00</published><updated>2009-07-29T17:44:46.890-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='H.G. Clouzot'/><category scheme='http://www.blogger.com/atom/ns#' term='Romy Schneider'/><title type='text'>L'enfer/Henri-Georges Clouzot</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://films7.com/files/lenfer-clouzot-romy-schneider-photo5.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 500px; height: 300px;" src="http://films7.com/files/lenfer-clouzot-romy-schneider-photo5.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;From the unfinished film "L'ENFER" by Henri-Georges CLOUZOT (1977) - Actress : Romy Schneider&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/inFbkTmhPhc&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/inFbkTmhPhc&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-6645764472868809465?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/6645764472868809465/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=6645764472868809465&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6645764472868809465'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/6645764472868809465'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2008/10/lenferhenri-georges-clouzot.html' title='L&apos;enfer/Henri-Georges Clouzot'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-2890499441791608640</id><published>2009-06-02T06:45:00.000-07:00</published><updated>2009-07-29T08:13:47.394-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Yang Zhenzhong'/><title type='text'>I will die/Yang Zhenzhong</title><content type='html'>&lt;a href="http://artintelligence.net/review/?p=136"&gt;REVIEW&lt;/a&gt;: "Yang Zhenzhong’s &lt;em&gt;I Will Die&lt;/em&gt;, 2000-2005, is a remarkably simple and effective work of art. It consists of two rows of five large screens in which we see a variety of people from different nations say the words ‘I will die’ in their own language. Zhenzhong filmed people in their own environment in moments that seem snatched from the flow of everyday life. Some are serious, some amused, some indifferent. The constant flux of people and different languages together with the simple profundity of the statement makes Zhenzhong’s &lt;em&gt;I Will Die &lt;/em&gt;one of the most powerful works on exhibition in this years Venice Biennale."&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/WQytEyFKQG0&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/WQytEyFKQG0&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-2890499441791608640?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/2890499441791608640/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=2890499441791608640&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/2890499441791608640'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/2890499441791608640'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2008/10/i-will-dieyang-zhenzhong.html' title='I will die/Yang Zhenzhong'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-1298019322945996100</id><published>2009-05-21T14:25:00.000-07:00</published><updated>2009-07-29T17:49:22.955-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Melvin Van Peebles'/><title type='text'>Sweet Sweetback's Baadasssss Song/Melvin Van Peebles</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://pagesperso-orange.fr/religionnaire/artistes/sel_blacky/art/sweet_sweetbacks_baadasssss_song.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 345px; height: 355px;" src="http://pagesperso-orange.fr/religionnaire/artistes/sel_blacky/art/sweet_sweetbacks_baadasssss_song.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;WIKI: "Sweet Sweetback's Baadasssss Song is a 1971 American independent film, written, produced, scored, directed by, and starring Melvin Van Peebles. It tells the picaresque story of a deprived African American man on his flight from the white authority."&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/0rD1OzJVoWY&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/0rD1OzJVoWY&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-1298019322945996100?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/1298019322945996100/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=1298019322945996100&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1298019322945996100'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1298019322945996100'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2009/07/sweet-sweetbacks-baadasssss-songmelvin.html' title='Sweet Sweetback&apos;s Baadasssss Song/Melvin Van Peebles'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-4253006467504950566</id><published>2009-05-20T05:31:00.000-07:00</published><updated>2009-07-29T13:53:42.750-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Kōji Wakamatsu'/><title type='text'>The Embryo Hunts in Secret/Kōji Wakamatsu</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img408.imageshack.us/img408/4680/embryo1lh8.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 500px; height: 188px;" src="http://img408.imageshack.us/img408/4680/embryo1lh8.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;WIKI: "&lt;i&gt;&lt;b&gt;The Embryo Hunts In Secret&lt;/b&gt;&lt;/i&gt; &lt;span style="font-weight: normal;"&gt;(&lt;span class="t_nihongo_kanji" lang="ja"&gt;胎児が密猟する時&lt;/span&gt;&lt;span class="t_nihongo_comma" style="display: none;"&gt;,&lt;/span&gt; &lt;i&gt;taiji ga mitsuryō suru toki&lt;/i&gt;)&lt;/span&gt;, released in July 1966, is the first film made by Japanese director &lt;a href="http://en.wikipedia.org/wiki/K%C5%8Dji_Wakamatsu" title="Kōji Wakamatsu"&gt;Kōji Wakamatsu&lt;/a&gt; independently of any movie studio. "&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://wildgrounds.com/img/jap/embryon/4.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 370px; height: 154px;" src="http://wildgrounds.com/img/jap/embryon/4.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;PLOT: "A man keeps his girlfriend tied up in his small apartment and tortures her. She is undressed, subjected to various types of bondage, whipped, and tortured with a razor blade. He also brushes her hair, applies make-up on her, and breaks down and cries in the fetal position. In the end the girl gets free and has her revenge.&lt;/p&gt; At the time of its release Wakamatsu was quoted as saying "For me, violence, the body and sex are an integral part of life."&lt;a href="http://en.wikipedia.org/wiki/The_Embryo_Hunts_In_Secret#cite_note-0"&gt;&lt;span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.jahsonic.com/Embryo.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 170px;" src="http://www.jahsonic.com/Embryo.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-4253006467504950566?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/4253006467504950566/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=4253006467504950566&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/4253006467504950566'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/4253006467504950566'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2008/08/embryo-hunts-in-secretkoji-wakamatsu.html' title='The Embryo Hunts in Secret/Kōji Wakamatsu'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-3109653367713134415</id><published>2009-05-12T07:20:00.000-07:00</published><updated>2009-07-29T17:51:54.504-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Kenneth Anger'/><title type='text'>Fireworks/Kenneth Anger</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://static.guim.co.uk/sys-images/Film/Pix/pictures/2009/3/25/1237974222634/Still-from-Kenneth-Angers-001.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 460px; height: 276px;" src="http://static.guim.co.uk/sys-images/Film/Pix/pictures/2009/3/25/1237974222634/Still-from-Kenneth-Angers-001.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;REVIEW: "Completed at the tender age of 17, &lt;i&gt;Fireworks&lt;/i&gt; – an audacious pre-Stonewall exploration of homosexuality, violence, and American youth – was the breakthrough film for avant-garde film legend Kenneth Anger."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed id="VideoPlayback" src="http://video.google.com/googleplayer.swf?docid=5641651904666515230&amp;amp;hl=en&amp;amp;fs=true" style="width: 400px; height: 326px;" allowfullscreen="true" allowscriptaccess="always" type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-3109653367713134415?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/3109653367713134415/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=3109653367713134415&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3109653367713134415'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/3109653367713134415'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2008/11/fireworkskenneth-anger.html' title='Fireworks/Kenneth Anger'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2762149435600707904.post-1674623843182627259</id><published>2009-05-03T06:01:00.000-07:00</published><updated>2009-07-29T08:13:25.664-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Alain Cavalier'/><title type='text'>The Encounter/Alain Cavalier</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_ONSQvTm-ALk/RvCj_fst6fI/AAAAAAAAAHY/IBdeR3_v2o8/s400/la_rencontre.png"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 303px;" src="http://1.bp.blogspot.com/_ONSQvTm-ALk/RvCj_fst6fI/AAAAAAAAAHY/IBdeR3_v2o8/s400/la_rencontre.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://movies.nytimes.com/movie/136848/La-Rencontre/overview"&gt;REVIEW&lt;/a&gt;: "Arty and steeped with metaphysical insights, this French film contains a running stream of director &lt;a href="http://movies.nytimes.com/person/84505/Alain-Cavalier"&gt;Alain Cavalier&lt;/a&gt;'s thoughts as he and an unseen lover reflect upon the world's innate beauty while passing their first year together. Episodes from this filmic diary are illustrated with shots of various objects, body parts, wildlife and views from a window."&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/mFTv5sst8Yo&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/mFTv5sst8Yo&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2762149435600707904-1674623843182627259?l=beforecinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://beforecinema.blogspot.com/feeds/1674623843182627259/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2762149435600707904&amp;postID=1674623843182627259&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1674623843182627259'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2762149435600707904/posts/default/1674623843182627259'/><link rel='alternate' type='text/html' href='http://beforecinema.blogspot.com/2008/09/encounteralain-cavalier.html' title='The Encounter/Alain Cavalier'/><author><name>before cinema</name><uri>http://www.blogger.com/profile/15824342109170882731</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='26' src='http://1.bp.blogspot.com/_ZGA7f7vYgxM/SnBr7clh4cI/AAAAAAAAAAQ/KmsHCtdLZc4/s1600-R/FilmReelCloseUp%2520%2528Video%2520Tech2%2529.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ONSQvTm-ALk/RvCj_fst6fI/AAAAAAAAAHY/IBdeR3_v2o8/s72-c/la_rencontre.png' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
